A Quote by Sonny Mehta

There's a blockbuster side to Knopf, whether it's P. D. James or John le Carre or our best-selling books. We try to sell our writers as aggressively as those houses regarded as commercial with a capital C.
Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.
I'm pretty omnivorous - in fact, I don't think of books in terms of genres. J. K. Rowling's 'Harry Potter' books are no more Y.A. reading, to me, than John le Carre's 'Smiley' novels are spy stories.
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
I am indeed a fan of John le Carre's novels.
There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
I will read anything by Laura Hillenbrand, Walter Isaacson, Barbara Kingsolver, John le Carre, John Grisham, Hilary Mantel, Toni Morrison, Anna Quindlen and Alice Walker.
I think John le Carre is, at 77, the greatest living writer alive. He is a master craftsman.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.
May we look upon our treasure, the furniture of our houses, and our garments, and try to discover whether the seeds of war have nourishment in these our possessions.
All of our lives are enriched by our culture, from blockbuster films, best-selling video games, independent music, and internationally-renowned museums and art collections, to theatre, opera, ballet, literary festivals and performance poetry.
He [John Le Carré] really paid tribute to the people who are willing to risk their own lives to fight injustice - they are greater men and women than I.
What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me.
O, that we who declare war against wars, and acknowledge our trust to be in God only, may walk in the light, and therein examine our foundation and motives in holding onto money! May we look upon our estates, our treasures, the furniture of our houses, and our garments, and try whether the seeds of war have nourishment in these, our possessions.
Just because we're Knopf doesn't mean we shouldn't sell books as well as any other publisher in the land.
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