A Quote by Sonny Mehta
At Knopf, we look at each book on a case-by-case basis... in some cases, we think a writer might get a boost from an endorsement by a fellow writer, but in other cases, a new book will be better served by other means, such as publicity and reviews.
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The F.B.I. pursues cases against individuals and organizations, not topics - this allows each case to have the flexibility to go in the direction the evidence leads, regardless of what happens with other, related cases.
We spend, you know, 48 hours on bogus stories, and the American people suffer. So I do think it is a problem. And I think that the media needs to, in some cases, not every case, but, in some cases, really needs to get its act together.
I'm very much, like, 'We've all got to help each other.' If there's a new female writer, I'm much more likely to read her book than if it's by a new male writer.
Instructing in cures, therapists always recommend that "each case be individualized." If this advice is followed, one becomes persuaded that those means recommended in textbooks as the best, means perfectly appropriate for the template case, turn out to be completely unsuitable in individual cases.
Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.
When a parent comes into school waving a book and saying, 'Take this book away. I don't like this book.' I won't say in all cases, but in many cases, that will not happen anymore. It has to go through a proper review board. The complaining parent will have to fill out a complaint, you know, put it in writing.
Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.
Books are just dead words on paper and it is the readers who bring the stories alive. Previously, writers wrote a book and sent it out into the world. A couple of months after publication letters from readers might arrive. And, leaving aside the professional reviews, it is really the reader's opinions that the writer needs. They vote for a book - and a writer - with their hard earned cash every time they go into a bookstore (or online - that's my age showing!) and buy a book.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
Each book is a different staging post on the writer's journey, and each book stands by itself, regardless of the writer's relationship to it.
I think in some cases busing did improve the situation in some areas; in some cases it didn't. We had busing in St. Louis, and it has been ended and we are using other methods of trying to better integrate the schools.
In general, a writer would like to think that the best book that he has written is the book that he is writing, and the next book will be even better. Maybe if this is not true, it is very useful to keep the illusion alive.
In most cases a favorite writer is more with us in his book than he ever could have been in the flesh; since, being a writer, he is one who has studied and perfected this particular mode of personal incarnation, very likely to the detriment of any other. I should like as a matter of curiosity to see and hear for a moment the men whose works I admire; but I should hardly expect to find further intercourse particularly profitable.
I love the writers in Austin. We stick together. We all like each other and go to each other's book signings in case no one else shows up.
I think it's just been a core part of the Cuban revolution to have a very high level of internationalism. I mean, these cases you've mentioned are cases in point, but the most extreme case was the liberation of Africa. Take the case of Angola for example, and there are real connections between Cuba and Angola-much of the Cuban population comes from Angola.
It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me.
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