A Quote by Sonny Mehta

I had to learn to call book jackets 'jackets' rather than 'covers.' — © Sonny Mehta
I had to learn to call book jackets 'jackets' rather than 'covers.'
I'm get really into jackets from movies, Keanu Reeves' jackets and that, I don't know why, I just have such a thing for them.
I still have such a thing for leather jackets. I have a closet full of them, and my husband is always saying to me, 'Why do you need another jacket? You have plenty of jackets.'
I started designing book jackets, which was great because I was good at it. And then from there I decided to become a freelance graphic designer and I needed to expand beyond book jackets, so I taught myself web design, and then in 1999 some friends of mine decided to start a company called Xanga.com, which was a very early kind of social network slash blogging community.
The Jam went through a phase of wearing satin jackets. But that was pre-getting signed and making it, when we were still playing the pubs and clubs - around '75. Shocking, really - what would you call them apart from 'horrible?' We'd wear these white zip-up bomber jackets with black kind of loon pants and black and white shoes.
I love leather jackets, and I am obsessed with it. I carry leather jackets fairly well.
When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
Reading was only part of the thrill that a book represented. I got a dizzy pleasure from the weight and feel of a new book in my hand, a sensual delight from the smell and crispness of the pages. I loved the smoothness and bright colors of their jackets. For me, a stacked, unread pyramid of books was one of the sexiest architectural designs there was, because what I loved most about books was their promise, the anticipation of what lay between the covers, waiting to be found.
I don't have a collection, but I have a thing with jackets. I really like jackets. Whether it's an '80s motorbike jacket, or a Victorian jacket. I could wear the same jeans every day for months, but the jacket would be the thing that would change a lot.
While the Tamils were inventing cabs and leather jackets, we Greeks were busy inventing philosophy. But I guess everybody needs cabs and leather jackets.
I wouldn't buy a book simply because I like the cover. I would pick it up. The jacket can call your attention to it. But in that sense, Oprah Winfrey is worth all the jackets in the world. A jacket is basically trying to do what she does all on her own.
I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.
I hate the only one of my book jackets when I was made up professionally, my hair made into a smooth bell.
I had wanted to be a dentist, but ended up being a chef. I think I've always had a fascination for jobs that have white jackets.
I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.
What is the definition of cool? Michael Jackson made “Heal the World.” He could do that because he was golden. He was himself. He didn't have to try to be cool. Think about a lot of your favorite bands or groups. Would they make a song called “Heal the World”? No, because they are too concerned about their leather jackets. Ironically, they are probably wearing leather jackets because of Michael Jackson.
Raised in a house filled with old books, I'm drawn to them: the dust jackets that call out a historical moment, the marbled boards, the words pressed into the page with movable type.
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