I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I finally wasn't interested in writing music that played while actors talked.
I think any music of any worth has been done by people who were very interested in the internal process of their soul and their mind that's taking place while they're writing music.
Since my first encounter with Kafka's writing, I've been interested in a quality that, while he was alive, stood in the way of his achieving a large reputation: his allegory.
While I'm writing YA, I can't read YA, and the same with adult. I usually only listen to music while I'm writing YA.
I am not interested in the past. I am interested in the future, for that is where I expect to spend the rest of my life.
I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations.
When I am writing, even though it's hard and I do struggle often, I am happier than when I'm not writing. I feel alive. Whereas when I'm not writing, I feel like your common every-day neurotic.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
I am only interested in celebrating music.
I am not at all interested in theories about cinema. I am only interested in images and people and sound. I am really a very simple person.
I think it all comes from the same source, really, the writing of music, the writing of words, the playing of music. It's what drives anyone to be interested in the arts. I think it's a poetic gene; it's a wanting to go beyond.
When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.
More than this, I believe that the only lastingly important form of writing is writing for children. It is writing that is carried in the reader's heart for a lifetime; it is writing that speaks to the future.
We have no lasting friends, no lasting enemies, only lasting interests.