A Quote by Sonny Sandoval

I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.
If we do a record, and there's a reggae song, it's not shocking to us. If we do an all hip-hop song, it's not shocking to us. We all listen to that sort of music. It's not about what's in at the time; it's what feels right to us and what we're comfortable in doing.
I used to skate a lot when I was a kid. I loved it and was quite good. When I came back to London in around '85, I got really into skating again. But at the time, it had no influence from hip-hop. It was just thrash rock, hardcore rock, and skulls and all black - that kind of style. In Japan, the skaters were also strictly into rock culture, too, but I was coming from the hip-hop side, so for a while it was difficult to mix both interests.
My mom used to always play hip-hop around the crib, but moreso than that, she played reggae, and I grew up on reggae music more than I grew up on hip-hop.
I've always loved hip-hop, since I was a kid, that's the music that I loved. I think everyone of our generation kind of fantasized about hip-hop in some ways.
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
Hip-hop music was something I grew up with, it was something that I loved since I was a little kid, and it's something that I chose to partake in an early age.
I was a fan of heavy music - first metal, then punk, then hip hop.
If you are successful because of Hip Hop, which I am, then you have to recognize that Hip Hop is nothing if not a product of the street, therefore you have to give something back.
I want kids of this generation to see that everything is cool, that there's some kind of unity in hip-hop. We all found something that's really important to us, and music is all we've really got.
I'm a fan of hip hop music, so I always used a hip hop element in my music anyway.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.
I was born into hip hop and reggae, and then I started listening to more hardcore and punk bands like Bad Brains and the Suicidal Tendencies; they opened up a whole new world for me. They had something to say, and I could relate to them.
?ommercial hip-hop is not youth rebellion, not when the heroes of hip-hop like Puffy are taking pictures with Donald Trump and the heroes of capitalism - you know that's not rebellion. That's not "the street" - that's Wall Street.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
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