A Quote by Sonny Terry

If you've got a good vibrato, you can get away with a lot. — © Sonny Terry
If you've got a good vibrato, you can get away with a lot.
When it comes to vibrato, a lot of people look at their hands when they do it. Which is pretty much of no use. Because vibrato is one of those things you have to hear. There are some guitar things where the visual is really useful, like seeing chord shapes or scale patterns. But vibrato isn't one of those things.
My vibrato was my weakness. With romantic pieces, I could be a lot more schmaltzy. My wider vibrato fit that.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
That's something a lot of athletes miss - a lot of them walk away too soon. They don't get everything out of their system. They have a lot of what-ifs when they're sitting around later in life. I don't have that. I got all that out of my system. I pushed it to the brink, I loved it, and when I walked away, I'd had enough.
One of the freedoms you get if you earn a lot of money from a book is to throw away what you want. And if you throw a lot away, the good stuff always comes back; nothing is lost.
I'm still 19, and I've got a lot to learn. I've got to keep improving and not get too carried away with myself.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic. I fail to get anything that way.
I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
I don't ever want to come out with something safe and get away with, 'It sounds good!' It's got to be more than sounding good. The music I like are events.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
I also focus on Bush and his administration - who do a lot of lying - and how a right-wing media has allowed them to get away with a lot of stuff that, in a different media environment, they probably wouldn't be able to get away with.
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
It's easy to write a good column if you've got good information. It's hard if you have to depend on style alone. I suppose there are people who can get away with styling on a regular basis. I'm not one of them. You're probably not, either.
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