A Quote by Sonoya Mizuno

I wanted to be an actress from when I was very young. — © Sonoya Mizuno
I wanted to be an actress from when I was very young.

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I met with Hitchcock when I was a very, very young actress just starting out and he was making 'Frenzy' in London and I was sent along to meet with him. He was very, very unimpressed with me and I have to say, I was rather unimpressed with him - but only because I was an arrogant, ignorant young actress.
When I was young, I was very blessed to have this insight that my best work would be when I was an older actress. I just always knew that as a young actress.
My mother told me I should be a secretary, but I wanted to be an actress from when I was very young.
My mother wanted to be a teacher when she was young, and my father didn't approve of it, so she fought very hard to become one. And she did it. So when I said I wanted to become an actress, my mother was very supportive. She always said to me, 'There's no such thing as 'can't.'
My mother wanted to be a teacher when she was young, and my father didn't approve of it, so she fought very hard to become one. And she did it. So when I said I wanted to become an actress, my mother was very supportive. She always said to me, 'There's no such thing as 'can't.
Even when I was young I wanted to be an actress.
I had no desire to be a star. I wanted to be a character actress and be able to do all kinds of parts and work on a lot of things. That was my unconscious choice. I wanted to be an undercover actress.
I got pigeonholed a bit. When I wanted to be an actress, I never wanted to be the kind of actress I became.
Becca Gardner is wonderful as the good-hearted little Griff who refuses to be daunted by all the heart-ache and resentment on dad's ranch and this young actress proves there's another young child actress in Hollywood besides Dakota Fanning.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
When I wanted to be an actress, I never wanted really to be the kind of actress I became.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
More than anything else, my mother wanted to be an actress - a famous actress - which in the 1950s was all about being young, sexy, and available. She was all that, and more. She had big blue eyes, alabaster skin, a heart-shaped face, a beautiful figure. She was just a knockout.
When I was young, I wanted to be an actress. I had no idea what that meant, but I just thought it sounded fun.
I wanted to be a stage actress. I wanted to be a New York actress and have a community with other actors. I didn't want to get famous; I always thought getting famous was a drag on you.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
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