A Quote by Sonoya Mizuno
'Crazy Rich Asians' has been compared to 'Black Panther,' but I feel like that's a false equivalency. The idea that there's only this film for Asians and that film for African Americans - it's so binary. I don't think it's like that at all. There should be and will be many films and many stories. Hopefully this just opens the floodgates.
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As a major feature film with Asian Americans in leading roles, 'Crazy Rich Asians' is important. We hope that this movie will be our 'Black Panther,' announcing to Hollywood that we are here, we belong, and we are ready for more.
I auditioned for 'Crazy Rich Asians' four times and it was very, very hard for me to not get it, because it was like, these 'Crazy Rich Asians' people were the cool kids and I was the one being left out.
There are so few roles out there. And even if it is a film that could be led by a black actress, how many times is that film going to get funded? Let's just be real. But it's not just black people. It's Asians, it's Hispanic people if you're not Salma Hayek. It's hard. It's hard to get films funded.
Being able to work on a film like 'Crazy Rich Asians' as your first role is phenomenal.
Oddly enough, Asians are a much smaller 'minority' than African Americans in this country. But because Asians are so successful, college admission officers don't feel sorry for them, so they are not a preferred 'minority.'
I feel like my evolution has come to a place where now I'm attached to Crazy Rich Asians.
Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
I just feel like, especially after 'Crazy Rich Asians,' gentrification isn't affecting art. I am actually more inspired by art now than ever.
There's been a lot of aesthetically rich horror films that have come out in the last several years. 'The Babadook' is this perfectly paced, beautiful film. 'The Witch' is a beautifully made film. 'Get Out' is so intelligently written. I feel like there's so many great things happening right now.
Donald intends to represent all the people, not just some of the people. That includes Christians and Jews and Muslims; it includes Hispanics and African Americans and Asians, and the poor and the middle-class. Throughout his career, Donald has successfully worked with people of many faiths and with many nations.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
If you go to Canada or Los Angeles, you will get to see many South Asians there, but on screens, they are so less in number. It is abnormal not to have much South Asians on screens.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
I never thought an opportunity like 'Crazy Rich Asians' would ever come my way.
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