A Quote by Sonu Kakkar

The credit goes to the designers and my hardworking stylist who makes me look perfect. — © Sonu Kakkar
The credit goes to the designers and my hardworking stylist who makes me look perfect.
I always loved the look of musicians. I've always admired them because they have a look - when I was growing up, it seemed that the ones I liked didn't need to have a stylist. Now there is this trend where everyone has a stylist, or follows the suggestions of a stylist, from designers on down.
I love working with a stylist but I also love having personal relationships with designers. A stylist is great for pulling together an entire outfit, accessories included, and for shaking me out of my comfort zone.
I love dressing up. I have people helping me with it. I am not going to take credit for that. I have a stylist, make-up and hair stylist.
Designers want their clothes and their shows to be absolutely perfect, exactly as they imagined, and there is a great deal of work that goes into doing that. Some collections can tell a whole story, from the first look to the last. The way the colors and the clothes transition is very interesting.
I think I have it all. But I won't say that the credit for all that goes to me. I think the credit for all that goes to everybody around me. I mean, I have it all because my entire family is so cooperative. I have it all because my children did not whine and cry when I was not there. So, I think it's, you know, in a way, a two-way street.
I'm no lyrical stylist, you wouldn't pick me for a perfect sentence, and I certainly wouldn't describe my novels as intellectual.
I'm no lyrical stylist; you wouldn't pick me for a perfect sentence, and I certainly wouldn't describe my novels as intellectual.
I don't have a personal stylist, because I don't need one. I just really enjoy meeting designers and picking up clothes.
For me, it’s about not being too aware of what you look like because if you are, you’re trying too hard and I don’t think that actually makes you look good. I’ve known from very early on that I don’t look perfect.
For me, it's about not being too aware of what you look like because if you are, you're trying too hard and I don't think that actually makes you look good... I've known from very early on that I don't look perfect.
The interesting thing about the China story, getting back to the macro and micro, and as dire as I think the macro story is - due to bad credit and credit extension that makes Greece and Spain and the U.S. look like child's play - when you get to the micro of individual companies, they look even worse.
Fortunately, being on TV has led me to have a stylist. I generally pick up what I want to wear, and get my stylist's approval for it.
I was in a business for years where the stylist styled me, and I was wearing things from other designers. I was just there to be a conduit to those things. To be lucky enough to be embraced, having branched out from being a model, has been the greatest gift ever.
When we look at the credit growth, we should look at it in its totality. Let us not only look at the non-food bank credit growth but also look at the growth across all the instruments of financing.
French girls don't care about the perfect look; we actually like when it's not perfect because that's what makes our style effortless.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
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