A Quote by Sonu Nigam

Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
'The Villain' gets off on the idea of disgusting the crowd and then telling the crowd to keep the noise down while he does it. The reason it works is because it comes at a point in matches where the anxiety shows.
I like to go out there and be organic and improvise off the energy I feel from the crowd, whether it's 50,000 or 20,000 or 10,000 people in the audience.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.
I love performing for the crowd. Maybe that's what it is. I'm a crowd pleaser.
I've come to the conclusion that athletes, when they say they miss the crowd, are not missing the sound of the crowd. What they're missing is the feeling inside that makes the crowd roar. It's not the roar of the crowd, it's the silence inside.
The crowd is a performer. En masse, a crowd has its own personality, its own character. And there are going to be nights when the crowd delivers a great performance. And there are going to be nights when the crowd bombs.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
You are always concentrated on the inner thing. The moment one becomes aware of the crowd, performs for the crowd, it is spectacle.
As a preacher, I'm working with the crowd, watching the crowd, trying to bring them to that high point at a certain time in the evening. I let everything build up to that moment when they're all in ecstasy. The crowd builds up and you have to watch it that you don't stop it. You start off saying you've heard that tonight's going to be a great night; then you begin the whole pitch and keep it rolling.
I love the feeling of being in front of a live crowd and performing and just kind of letting loose and getting the crowd involved, and I got to perform at the Superbowl and at the Staples Center, you know, at the Lakers game, which was amazing.
The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.
The crowd can be a little different in some places. For example, in Europe, people tend to be very respectful. They try not to make too much noise at inappropriate times. In other countries, people can be very still. Sometimes I'm not sure if a crowd is into it until the end, when they usually want me to do something crazy for the encore.
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