A Quote by Sonu Sood

If your film and character are a hit, chances are you'll get typecast in that space. — © Sonu Sood
If your film and character are a hit, chances are you'll get typecast in that space.
When I work on a film, you know, I try to get or inhabit the body of the character -from the vision of the directors or how i think the character should be - so if it's a film like SPEED, you hit the gym, you get to do some, train with SWAT People, hehe, but in general, I'm really focused and dedicated, and then in regular life, I don't go to the gym as often.
I saw people get fired after their eviction. But when I found that if you get evicted, your chances of losing your job increase by 20 percent, that's when it really hit home for me.
When you walk around braced for impact, you're dramatically decreasing your chances. Your chances to avoid the outcome you fear, your chances to make a difference, and your chances to breathe and connect.
A favorite film of mine is 'Office Space' and I love 'The Hangover.' That is a really good comedy from character in that film, and that is true of 'Office Space' too.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
There is nothing, not a thing, like the process of creating a character for the stage - you can't get it anywhere else. Unless you're totally method and spend six months living your life like your character for a film, the theater is the place to get that intense acting experience.
I am conscious about not getting typecast, but obviously I have to keep picking up great roles so that I don't get typecast.
I was not only typecast as a Russian, but I was typecast as Yakov Smirnoff. This is understandable, and I was very happy to get the roles, but it would be nice to be in a movie where I could be someone else.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
I've definitely been typecast, but I have time to do other things and I was glad to have the chances I did.
T I was doing Predators, this new movie for FOX simultaneously, and this character that I play in the movie is "Walter Stands," and I had a plethora of ink all up and down my skin.Once you have ink on your body, how it informs you as an actor, and you kind of get in that space and occupy that space of that character, when you're without them, when I'm just Walton Goggins in the world and I'm without my tattoos, I feel a little naked.
In Hollywood, one doesn't get typecast. You can play a mother in one film and take up the role of a high school teenager in the next.
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!'
My theory is that if you buy an ice-cream cone and make it hit your mouth, you can learn to play tennis. If you stick it on your forehead, your chances aren't as good.
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