A Quote by Sonu Sood
It is very satisfying for an actor to be able to play a historical personage.
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[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
Ellis Peters's historical detail is very accurate and very minute, and therefore is not only interesting to read but good for an actor to acquire a sense of the period. And the other thing I think is that an actor lives in the land of imagination.
I have always declared God to be a distinct personage, Jesus Christ a separate and distinct personage from God the Father, and the Holy Ghost was a distinct personage and a Spirit: and these three constitute three distinct personages and three Gods.
As an actor, you just like to be able to play as much range. I just want to be invisible. I want to be able to be perceived as an artist as opposed to 'a black actor': that's the joy.
It's a lot of feelings, I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to.
The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.
I would love to be able to program myself to pick up any instrument and to be able to play it very, very well, and to be able to read music and dance as well. I'm very uncoordinated, and I'd love to be able to bust a really great move.
My hopes and aspirations haven't changed since I started in this business. They've been to be able to play drama, to be able to play comedy, to be able to play leading men, and to be able to play character roles. I have no other aspirations in this regard.
I take the world to be but as a stage,Where net-maskt men do play their personage.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
Danny Chung in 'Veep' is a really unique, very anti-stereotypical role for an Asian-American actor, and being able to play that has been super fun.
I'm very grateful to be where I'm at and be able to play. That's really the bottom line for me. Survival and being able to play.
It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.
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