A Quote by Sonya Hartnett

It is scary, sometimes, Tomas admitted. But the scary bits are what make you brave. — © Sonya Hartnett
It is scary, sometimes, Tomas admitted. But the scary bits are what make you brave.
This is how I feel about horror films: there's enough scary things that happen in day-to-day life. Sometimes just going and getting the mail is scary, when you open your bills. And so, sometimes I feel like scary movies are just tapping into those anxieties and magnifying them.
I love scary movies and respect the filmmakers of scary movies, and it's just as hard to make a great scary movie as it is to make a great comedy or drama or anything else.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
Scaring someone's the hardest thing to do, and that's why most of scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
Scaring someone's the hardest thing to do, and that's why most of these scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
Just because I make movies in the scary world doesn't mean I want to visit scary worlds.
I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.
I was in the very first Scary Movie and then the last Scary Movie 4, so I don't know. I heard they're doing another one, but I'm not sure yet. Of course, I'd love to work on Scary Movie 5. That'd be great.
Sometimes to speak as a woman is to cry, and to speak from our emotional, intuitive knowing, as opposed to graphs and charts and vertical lines. And that's scary - that's scary to do. And the fallout from it can be brutal.
You have to learn how to be in scary areas, make those comfortable, then go to the next scary area and make it comfortable.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
Sometimes you arrive late in the process of filming, which makes it a little scary because they've already got this well-established technique going on, and all of the relationships are comfy and cozy. You have to figure out how to fit in, which can always be a scary first day.
I can't imagine making something that is made only to be scary. For me, the darkness and scary material has to have meaning attached to it, or I can't invest the time and energy it takes to write and script or make a movie. It has to mean something.
So on one hand, because the wilderness was familiar to me, it really helped me be brave. But it still was scary sometimes. I had to say to myself: "Chances are, you're not going to be mauled by a bear."
As you get older, it's good to open up and acknowledge that everybody has their scary moments, their negative moments. And in order to move on and find comfort and hope, you have to stop running from the darkness and face it. And when you face it, it's not that scary at all, and sometimes it actually turns around and runs away.
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