A Quote by Sonya Walger
'FlashForward' is definitely not a sci-fi show. It doesn't have the mythology of 'Lost.' We have one major event that happens that you are asked to buy into. After that, you're dealing with very human ripple effects - how people deal with it and how they come to terms with it.
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FlashForward' is definitely not a sci-fi show. It doesn't have the mythology of 'Lost.' We have one major event that happens that you are asked to buy into. After that, you're dealing with very human ripple effects - how people deal with it and how they come to terms with it.
There are so many sci-fi fans and it's such a big business now. So many people love sci-fi, and they're so loyal. I would be lying if I said that the fact that I had been on a very popular sci-fi show and had some recognition in that world didn't help me get the job on another sci-fi show.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
'The 5th Wave' is sci-fi, but I tried very hard to ground the story in very human terms and in those universal themes that transcend genre. How do we define ourselves? What, exactly, does it mean to be human? What remains after everything we trust, everything we believe in and rely upon, has been stripped away?
I have an older brother and sister, and I'm definitely ahead of my years in terms of sci-fi and films. My brother is a massive sci-fi fan, and the Linda Hamilton and Sigourney Weaver era... I was involved and interested.
One of the great things about the sci-fi genre is that you can kind of get away with a bit more when talking politics, making social references or dealing with very hot-button topics because it is sci-fi.
What was so great about Lost was that it came to the front door as a drama that was straight-up and really gave you the sci-fi underneath it all. It backed into sci-fi show, at least in my opinion. As soon as they got hooked, they were like, "Okay, I'm there."
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
It was Sci-Fi and fantasy that got me reading, and Sci-Fi writers in particular have pack rat minds. They introduce all sorts of interesting themes and ideas into their books, and so for me it was a short leap to go from the fantasy and Sci-Fi genres to folklore, mythology, ancient history and philosophy. I did not read philosophy because I set out to become a philosopher; I read it because it looked interesting.
One of my favorite sci-fi books is 'Ender's Game' by Orson Scott Card. I would recommend it to anyone who loves sci-fi. It's a perfect intro to sci-fi.
I have to say, as a young woman of color, and this may sound controversial, in sci-fi, anything is possible. In sci-fi I can belong to the military. In sci-fi I can have an interracial love affair; I can be a revolutionary.
I like the idea of what happens when someone tells a small white lie - which I think is the premise of the show - and how it has ripple effects, so really it's also about raising the stakes of this little lie.
I've always liked sci-fi/fantasy films. I've never really followed any sci-fi television shows though. I wouldn't consider myself a fan. When asked, I think I say the Matrix is my favorite movie.
I love near-term sci-fi. I especially love right-now sci-fi: stuff that happens in current time but incorporates a scientific breakthrough that is currently being explored.
I do like sci-fi. When I was a kid, I was always sort of locked into sci-fi stories. So, sci-fi has always had a special place in my heart.
I learned that you can make a sci-fi film that is satisfying overseas. European people have everything in check. I'd make every sci-fi film in Europe. They only work 14 hours a day. After that, it's overtime.
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