A Quote by Sooraj Pancholi
I heard a lot of scripts after 'Hero' but did not get that wow feel. It was more of a package comprising four songs, four action sequences etc. I did not want to do that because I was looking for a story in a real kind of space.
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How exactly did [Republicans] win? I'd like to know. Because I sacrificed the last four months of my life to do it, excuse me, and we did it. And we did it by looking at the schedule and looking at, yes, the electoral map of 270 because that's how you win the presidency.
I don't like albums; I like projects. I want to tell a story - I don't want to limit myself to 10 songs or four songs or whatever. I just tell a story and I want you to feel something. If it took me one song or if it took me four, call it however you want. So I call them projects.
That's very clear today. No, you wouldn't, respectfully. How exactly did [Republicans] win? How exactly did we win? I'd like to know. Because I sacrificed the last four months of my life to do it, excuse me, and we did it. And we did it by looking at the schedule and looking at, yes, the electoral map of 270 because that's how you win the presidency.
Capitalism can be alright, I mean Karl Marx didn't live to see what Roosevelt did with that Depression. He pulled everybody out of that Depression and everybody hated Franklin Roosevelt. He got into office four times. One after the other, with everybody saying, he can't get in again. Everybody voted for Roosevelt four times and he did a hell of a lot.
Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
When you play all that as a body of work there are four great songs, four mediocre songs and four bad songs. I didn't know it at the time; I was just doing my best.
I feel Vidyut is a next-gen action hero who is extremely professional and a hard worker. I think he is the most sought after action king, because I really loved the kind of action he has done.
I don't get the action... well, I never did get the big action hero parts. I was always locked into making the kids movies, which were a lot of fun.
When I first started writing songs, I did play with my fingers, and I had these kind of weird strums. There's, like, three or four strumming patterns that seemed kind of unique to me.
There are a lot of teams that don't want to play, that only want to defend against Barcelona, and that makes it difficult. We're always looking for the open space. A lot of times we'll face six defenders and four midfielders.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
I didn't know I wanted to be actor when I was four.I did it at the beginning because my brother did it before me and it was a hobby. I didn't mind doing it. But then it got more serious.
Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.
You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve.
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