A Quote by Sophie
In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.
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It could be confusing to people, but it's very simple to me, and it always has been - creating the thing that I want. In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths and do what you feel. Or do whatever the material itself demands.
Whatever the raw material, the material itself is unimportant until it's catalyzed by emotional fervor. So in the ideal exchange between me and my listeners, they wouldn't 'figure out' my music. They would feel their pulse racing and the hair standing up on the backs of their necks.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted. I've seen the scores of my things and they don't resemble the music in any way. If you give them to somebody who has never heard the music and say, "What does this sound like to you?" they'll play you something that has no relationship with the music it derives from. Notation simply isn't adequate.
Everything my fans tell me is the way I felt when I was a Tupac fan coming up. My fans tell me, 'Boosie will make you feel like you was in the household watching everything that was happening to me, with your music.' That's how Tupac made me feel, like everything he was talking about I was living. My music do that, you know?
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
I’ve always wanted to be liked. It grieved me that I was treated with indifference. Left an orphan by Fortune, I wanted—like all orphans—to be the object of someone’s affection. This need has always been a hunger that went unsatisfied, and so thoroughly have I adapted to this inevitable hunger that I sometimes wonder if I really feel the need to eat. Whatever be the case, life pains me.
I liked school and was a bit of an all-rounder academically, I struggled with music. I can't hold a note when singing and abandoned any notion of a career in music after barely scraping a pass in grade 2 piano.
In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
Having someone in your class call you fat, ugly, too tall and so on, you start to think all those things about yourself. And if you're like me, those words are played on repeat inside your head. When I was at home, I felt loved and safe. My sisters were always a safe haven for me. I knew they would always play with me and make me feel like I was one of them. Now we have so many more social outlets, there are so many ways to be stalked and bullied. If social media is too much for you to handle then don't have a Twitter or Facebook account, just be yourself. Be who you want to be.
Songs don't really feel like me unless I somehow shed a little secret or open myself somehow or be vulnerable. When I'm singing these songs, it feels like me, and that comes with the vulnerabilities and the strengths and the moments of triumph or whatever.
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