A Quote by Sophie B. Hawkins

It's what people don't say that is often the most revealing. — © Sophie B. Hawkins
It's what people don't say that is often the most revealing.
A drawing of the nude is a most revealing expression because it is at once the most private and the most personal. Often such drawings are made with no thought of public exhibition. They possess the intimacy of diaries.
A sermon often does a man most good when it makes him most angry. Those people who walk down the aisles and say, "I will never hear that man again," very often have an arrow rankling in their breast.
Some people as a result of adversity are sadder, wiser, kinder, more human. Most of us are better, though, when things go better. Knowing when to keep your mouth shut is invariably more important than opening it at the right time. Always listen to a man when he describes the faults of others. Often times, most times, he's describing his own, revealing himself.
I don't often get angered by the things press spokespeople say. Most of these people have difficult jobs and are often forced to be the public faces of policies they had nothing to do with creating.
History, at its best, always tells us as much indirectly about ourselves as it does directly about our predecessors, and it is often most revealing when it deals with episodes and phenomena that we find repulsive.
Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
Love is universal, luckily, but also in general I've found that whenever I've been the most specific in my stand-up, revealing some weird neurosis or quirk I'm ashamed of, that's what people relate to the most. Specificity is key!
Most people who make threats don't follow through. The most dangerous people are often those who never make threats. But 'most' and 'often' aren't what you are looking for when you're dealing with a scary person. You want to 'know.' And there is no knowing.
People who are truly horrible are often the most interesting people in the room. You look at them and just say, 'Why?'
Despite the often illusory nature of essays on the psychology of a nation, it seems to me there is something revealing in the insistence with which a people will question itself during certain periods of its growth.
Facts can be so misleading, where rumors, true or false, are often revealing.
People who are looked up to in America will often say, 'I don't get math.' And they'll often say it like they're being humble, but they seem almost proud of it because it's acceptable to act this way.
When you are on assignment, you stick to the facts, limit your vision, and often cut out the most revealing material. There is no texture, no shades of gray. In fiction, you can bring the reader on the perilous journey with your characters as they discover that war is more like a wilderness of mirrors, full of danger and uncertainty.
I think the thing I had to be careful about while writing a book was not to say anything that was revealing about other people that they would be uncomfortable with. I didn't want to make people angry - that's a real risk.
Everyone agrees that a secret should be kept intact, but everyone does not agree as to the nature and importance of secrecy. Too often we consult ourselves as to what we should say, what we should leave unsaid. There are few permanent secrets, and the scruple against revealing them will not last forever.
Most people don't base their morality on religion in spite what they say. If you ask people, "If you didn't believe in God, would you go out and kill your neighbour?" Most people will say, "No".
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