A Quote by Sophie Barthes
As Baudelaire said it so beautifully, Emma Bovary is an androgynous character. She cannot be reduced to a gender or a sociological type. She represents something bigger than herself. That was the genius of Flaubert: the ability to combine the general and the particular.
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Madame Bovary is timeless. It is not just about the female condition in France in the 1840s. It's not a simple cautionary tale. Emma is more than a character; she gives us an insight into human nature. With Emma, we are diving into the complexities of Flaubert's psyche.
Flaubert's famous sentence, "Madame Bovary, c'est moi" ("Madame Bovary, she is me"), in reality means, " Madame Bovary, c'est nous" ("Madame Bovary, she is us"), in our modern incapacity to live a "good-enough" life.
Madame Bovary is one my favorite novels. Emma Bovary will always be an enigma, but as the years pass, I feel that I understand her better. She has a violent nostalgia, almost an infantile nostalgia, to be understood by the men surrounding her. I like her relentless fight for independence, her rebellion against the mediocre, and her quest for the sublime, even if she burns her wigs in the process. I like that Flaubert never judges her morally for her self-destructiveness, for her desperate attempt to satisfy her wildest desires and appetites.
A queen is wise. She has earned her serenity, not having had it bestowed on her but having passer her tests. She has suffered and grown more beautiful because of it. She has proved she can hold her kingdom together. She has become its vision. She cares deeply about something bigger than herself. She rules with authentic power.
Gustave Flaubert said, "Emma Bovary, c'est moi." It is not possible to write something you are not, but to have a new form, with a different hair color and a new body ... I do very little of that. That's why I keep bringing up the same people. I haven't given myself a hard time about it. But I can't make six new characters instead of one.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
We've all met a certain type of spiritual person. She's a wonderful person. She loves the Lord. She prays and reads the Bible all the time. But all she thinks about is herself. She's not a selfish person. But she's always at the center of everything she's doing.
So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.
For thousands of years what men has done to women is simply monstrous. She cannot think of herself as equal as man. & she has been conditioned so deeply that even if u say she is equal, she is not going to believe it. It has become almost her mind, the conditioning has become her mind, that she is less in everithing. & the man who has reduced the women to such a state also cannot love her. LOVE CAN EXIST ONLY IN EQUALITY, IN FRIENDSHIP
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
In Madame Bovary Flaubert never allows anything to go on too long; he can suggest years of boredom in a paragraph, capture the essence of a character in a single conversational exchange, or show us the gulf between his soulful heroine and her dull-witted husband in a sentence (and one that, moreover, presages all Emma's later experience of men). (...) This is one of the summits of prose art, and not to know such a masterpiece is to live a diminished life.
There's a perceived inverse relation between looks and talent. Look at Charlize Theron - she made herself ugly for 'Monster' and suddenly everyone said 'she's a genius.' It shouldn't be like that.
Dreaming was easier than screaming, and screaming was easier than worrying, and worrying was easier than crying, which was what she knew she would be reduced to if she didn’t keep a hard eye on herself.
Cassandra always hid when she read, though she never quite knew why. It was as if she couldn't shake the guilty suspicion that she was being lazy, that surrendering herself so completely to something so enjoyable must surely be wrong. But surrender she did. Let herself drop through the rabbit hole and into a tale of magic and mystery.
I don't hate it here," she said automatically. Surprising herself, she realized that as much as she'd been trying to convince herself otherwise, she was telling the truth. "It's just that I don't belong here." He gave her a meloncholy smile. "If it's any consolation, when I was growing up, I didn't feel like I belonged here, either. I dreamed about going to New York. But it's strange, because when I finally escaped this place, I ended up missing it more than I thought I would. There's something about the ocean that just calls to me.
Love is an immortal wound that cannot be closed up. A person loses something, a part of her soul, when she loves someone. And she goes about looking for that lost part of her soul, for she knows that otherwise she is incomplete and cannot be at rest. It is only when she is with the person she loves that she becomes complete again in herself; but the moment he leaves, she loses that part which he has taken with him and knows no rest till she has found him once more.
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