A Quote by Sophie Blackall

There are also dozens and dozens of success stories; many couples have emailed me with their original posts. I love reading these stories, but confess I am not as interested in drawing them as the unfinished, elusive ones.
I have seen dozens upon dozens of productions of 'Lebensraum' in dozens of languages around the globe.
I remember all the way back in high school thinking about writing books. And, in fact, I've written a lot of stories. I've got dozens of stories I've written that no one's ever seen.
As an artist, I am interested in telling stories that haven't been told before, stories that are going to affect people, and also stories that shine light on areas of history that haven't had light shined on them before.
Many stories matter. Stories have been used to dispossess and to malign. But stories can also be used to empower, and to humanize. Stories can break the dignity of a people. But stories can also repair that broken dignity.
I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'
There are dozens and dozens of improv classes across the nation, but it really cannot be taught.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
I write dozens and dozens of pages more than I need, and then edit them down to size. It's more like sculpture than construction.
During my lifetime I have met dozens of writers and photographers in dozens of different countries. But I have encountered no one who could both write and photograph with the artistry of Robert Vavra.
Corner one of the hundreds of doctors who specialize in autism recovery, and they'll tell you stories of dozens of kids in their practice who no longer have autism. Ask them to speak to the press and they'll run for the door. They know better.
You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.
In all, dozens upon dozens of groups and organizations have prioritized stopping the killing in Darfur before there is no one left to be killed. It is high time that we, the U.S. Congress, join our name to that list.
I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
When we began, we used chatrooms on AOL and Yahoo! and nowadays, we have dozens and dozens of ways to communicate. Technology has improved - for everything from the cameras to the microphones. It's a whole 'nother playing field now.
There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.
In all my years of cricket, I've given hundreds of interviews and done dozens of TV shows, but what you will read in my memoir are the stories and thoughts I've never shared openly.
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