A Quote by Sophie Calle

Art is a way of taking distance. The pathological or therapeutic aspects exist, but just as catalysts. — © Sophie Calle
Art is a way of taking distance. The pathological or therapeutic aspects exist, but just as catalysts.
I've never bought this idea of taking a therapeutic distance. If I see a student or house staff cry, I take great faith in that. That's a great person; they're going to be a great doctor.
A pathological business, writing, don't you think? Just look what a writer actually does: all that unnatural tense squatting and hunching, all those rituals: pathological!
There's no question that you can explore aspects of yourself through roles that you play, and you get a chance to investigate yourself; that's healthy, and it's therapeutic in a way. But if you're indulging yourself, exploration at the cost of the story or the project, that's not good.
We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
We need to shift from an economic organizing principle for human civilization, to a humanitarian organizing principle. Making money more important than your own children is a pathological way for an individual to run their affairs, and it's a pathological way for a society to run its affairs.
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.
I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way.
Your distance from your partner is the distance from your heart. The things that make relationships difficult are some of the most precious aspects to us.
To me, the concept of distance is not important. Distance doesn't exist, in fact, and neither does time. Vibrations from love or music can be felt everywhere, at all times.
Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
So let us be clear about this up front: We hope to recruit you to join an incipient movement to emancipate women and fight global poverty by unlocking women's power as economic catalysts. That is the process under way - not a drama of victimization but of empowerment, the kind that transforms bubbly teenage girls from brothel slaves into successful businesswomen. This is a story of transformation. It is change that is already taking place, and change that can accelerate if you'll just open your heart and join in.
Nothing is more pathological in our pathological modernity than this disease of Christian pity.
A work of visionary art can shock a person out of their normal thinking patterns and help them to see the world in a new way, helping them to transfigure their perception of reality. Obviously, it's only one of many potential catalysts to healing and transformation, but I think it can be a significant one.
It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art. There is no doubt that the leaders of the creative artists of the last 50 years concentrated their efforts mainly on eliminating that distance.
Excessive interest in pathological behavior was itself pathological
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