A Quote by Sophie Calle

I met a photographer who agreed to give me a few lessons; in exchange, I had to pose naked for him. — © Sophie Calle
I met a photographer who agreed to give me a few lessons; in exchange, I had to pose naked for him.
I had met Keanu [Reeves]a few times so it was a great way to reach out to him with an actual job offer. He very kindly agreed to be part of it and it was an amazing experience.
When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."
I also met Charles McPherson around that time, end of high school. I was 17 and I had followed Phil around for a year and pestered him enough to finally give me saxophone lessons. So all of a sudden I've got Phil Woods and Charles McPherson around me.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
One thing that Life and I agreed right from the start was that one war photographer was enough for my family; I was to be a photographer of peace.
So I went to George and told him I had the opportunity to become the figurehead of a government safety campaign, and he agreed to give me the week off and reschedule shooting!
Bitterblue had never seen a man naked, and she was curious. She decided the universe owed her a few minutes, just a few, to satisfy her curiosity. So she went to him and knelt, which shut him up.
I think that educators are in sales. Essentially, what you are doing is making an exchange with your class. You're saying, 'Give me your attention. In exchange, I'll give you something else.' The cash register is not ringing. It's not denominated in dollars or cents or euros, but it is a form of sales in a way. It is an exchange.
I have met Saddam Hussein exactly the same number of times as Donald Rumsfeld met him. The difference is that Donald Rumsfeld met him to sell him guns and to give him maps the better to target those guns.
I don't know John Riggins. I mean, I've met him a few times, and I had dinner with him once.
Kissinger projects a strong impression of a man at home in the world and on top of his brief. But there are a number of occasions when it suits him to pose as a sort of Candide: naive, and ill-prepared for and easily unhorsed by events. No doubt this pose costs him something in point of self-esteem. It is a pose, furthermore, which he often adopts at precisely the time when the record shows him to be knowledgeable, and when knowledge or foreknowledge would also confront him with charges of responsibility or complicity.
I bet you, if I had met Trotsky, and had had a chat with him, I would have found him a very interesting and human fellow, for I have never yet met a man I didn't like.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
Back in the day with Ronnie Coleman, there's a fairly famous photo with me doing the bicep pose with him. I also did a pose with Arnold at the Arnold Classic one year in Columbus, Ohio.
'Naked' propelled me into a whole other league. America started calling. I went over to Los Angeles and met all those people, and I started doing a few American films of various levels of quality.
In all proper relationships there is no sacrifice of anyone to anyone. An architect needs clients, but he does not subordinate his work to their wishes. They need him, but they do not order a house just to give him commission. Men exchange their work by free, mutual consent to mutual advantage when their personal interests agree and they both desire the exchange.
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