A Quote by Sophie Cookson
I used to be terrified of a particular film - I can't remember what it was called. It was set in a forest, and there was lots of oil coming from trees. And someone fell, and ever since then... Oh, and I also dream about my teeth, losing a tooth, which I think means that you want control back.
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I dream about my teeth, losing a tooth, which I think means that you want control back.
I don't think one should incentivise the losing of teeth. I find the idea of a child getting an iPad, or a £20 note, for losing a tooth, utterly abhorrent. Fifty pence, or a pound at most, is what my children can expect from the Tooth Fairy.
I've been back home since November and gradually all connections with my HP life have been fading. It’s gotten to the point where I feel like it was a dream because everything has gone back almost exactly to how it was before it all happened. It's possible to forget and it’s only when someone asks ‘when’s the movie coming out?’ that I remember 'oh yes, that'.
The memories are vague of the accident. I remember coming out of the pitlane with cruise control, letting it go and then losing control of the car. I remember my hands frantically operating the steering wheel trying to recover control of the car, then this big, big noise and nothing more.
If you want to control the world you need to control the oil. Therefore the destruction of Iraq is a prerequisite to controlling oil. That means the destruction of the Iraqi national identity, since the Iraqis are committed to their principles and rights according to international law and the U.N. charter.
I thought the tooth fairy was a very creepy concept as a kid. "Put your tooth under the pillow." I was like "Why does someone want my teeth?".
When one of Lisa's baby teeth fell out here, the tooth fairy left her 50 cents. Another tooth fell out when she was with her father in Las Vegas, and that tooth fairy left her $5. When I told Elvis that 50 cents would be more in line, he laughed. He knew I was not criticizing him; how would Elvis Presley know the going rate for a tooth?
I started inventing things, and then I couldn't stop, like beavers, which I know about. People think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. That's how my brain was.
I've always had a longstanding dream, ever since I was a kid, where I was running on a big lake of ice and I kept running and kept running, just about to where I was trying to get to, and I fell through the ice, and then I couldn't find the hole where I fell through to get back out again.
Brambles, in particular, protect and nourish young fruit trees, and on farms bramble clumps (blackberry or one of its related cultivars) can be used to exclude deer and cattle from newly set trees. As the trees (apple, quince, plum, citrus, fig) age, and the brambles are shaded out, hoofed animals come to eat fallen fruit, and the mature trees (7 plus years old) are sufficiently hardy to withstand browsing. Our forest ancestors may well have followed some such sequences for orchard evolution, assisted by indigenous birds and mammals.
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely, eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms, and little wildflowers.
You also convert real memories, whatever that means, into film versions of those memories. Because by the time you've finished the project you can't remember the real memories anymore, you just remember the film versions of them. And then if the film failed you have distaste for them. So I don't think about that stuff anymore.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
The list of things about which we strictly have to be agnostic doesn't stop at tooth fairies and celestial teapots. It is infinite. If you want to believe in a particular one of them - teapots, unicorns, or tooth fairies, Thor or Yahweh - the onus is on you to say why you believe in it. The onus is not on the rest of us to say why we do not. We who are atheists are also a-fairyists, a-teapotists, and a-unicornists, but we don't have to bother saying so.
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