A Quote by Sophie Ellis-Bextor

I don't know why people think I'm polished - I often leave the house with buttons missing and ladders in my tights. — © Sophie Ellis-Bextor
I don't know why people think I'm polished - I often leave the house with buttons missing and ladders in my tights.
I hate ladders. I don't mind heights, but I hate getting hit with ladders and falling into ladders. Anything where there are ladders involved or inanimate, unpredictable objects or multiple people gets dangerous.
Don't confine yourself to a select group of friends, often known as a clique. Cliques by definition leave people out. Lock yourself into one, and you'll never know how many terrific friendships you may be missing.
Today's minor irritations may become tomorrow's treasured memories. We often don't know what we are missing, until it's missing.
I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
I think the Internet is the single greatest revolution to come around in a long time. It's so convenient, it's frightening. I can definitely see why some people don't leave their house anymore.
I think people don't often realize how much goes into being a male dancer. It's athletic and it's hard. It's not just men wearing tights, or wanting to be around women.
I don't know how often white people look around and think, 'Wow, there's really a lot of white people here; we should fix that.' But I know black people often look around and think, 'Wow, I'm the only one here - why?'
The House of Andrews really invented what we know as polished, glamour drag.
The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.
What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.
Life feels like a game of Snakes and Ladders, but without any ladders.
Living in a place like Pakistan, very often you meet people who are migrating abroad. And sometimes you'll ask their parents, you know - you didn't try to stop them? Like, why didn't you say, don't go - I'll miss you? Stay with me. And, you know, people say, well, it's best for them. They have to go. And parents, you know, take on that sadness because they know it's better for their children if they leave.
Five hundred words a day is what I aim for. And I don't go on to the next chapter until I've polished and polished and polished the one I'm working on.
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand!" .
Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.
There's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
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