A Quote by Sophie Ellis-Bextor
I think there's quite a lot of cowardice in music. I don't mind if it goes wrong, I just want to go for it.
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Remember this: with mind you will always be a loser. Even if you are victorious, your victories will be just defeats. With mind there is no victory, with no-mind there is no defeat. You have to shift your whole consciousness from mind to no-mind. Once no-mind is there, everything is victorious. Once the no-mind is there, nothing goes wrong, nothing can go wrong.
There is nothing wrong with meditating just to meditate, in the same way that you listen to music just for the music. If you go to concerts to "get culture" or to improve your mind, you will sit there as deaf as a doorpost.
If a gig goes badly, my main worry is, 'Will these people come back?' Because that will affect my ability to pay the mortgage - but nowadays, I don't really mind what happens, as I think if it all goes wrong for real, you still have to go with it.
(I)t is simply wrong to confuse cowardice with appeasement. Cowardice is a failing of character. Appeasement is a failure of policy. Stalin appeased Hitler when he signed the Molotov-Ribbentrop Pact. Stalin was an evil character, to be sure. But cowardice really isn't the first word that comes to mind when thinking of Stalin ' that word is “sexy.” I'm kidding, I'm kidding.
I want to be just a musician and songwriter, and hopefully known as a very good one. I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
I think I'm the happiest person in the world, I swear to you. I'm like continuously catching my mind, like, 'Wow, like, everything is perfect in my life, there's nothing wrong.' I'm just so scared to even admit it because I want nothing to go wrong.
And I think that’s a lot of the reason why when you start to fragment your audience, you start to think about what you’re looking for, you’ll go to different spaces, and it parallels what we do as adults. You go to different bars when you’re in the mood for different things. You see different people when you want to go listen to music or when you just want to have a quiet drink with a couple of friends.
The music you play, it's never intended for other people, so it's quite amazing dealing with stuff now, because obviously any tracks I write, a lot of folks are going to hear. It definitely plays on my mind quite a lot.
I think, a lot of times, network shows are under a lot of mandates. There's a lot of moving pieces. There's a lot of money. There's a lot of people who are going to be disappointed if anything goes wrong.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Someone has to really like you to go out there and physically get your CD. Shout out to everybody who actually paid for the CD. A lot of people don't realize that's how we live, that's our job. When we people take music from us, that's just like taking food off of our table and it's not cool. It's a lot of blood, sweat and tears that goes into the music and those lyrics. To have people just go and steal it, it doesn't feel well.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
I'm not one for sitting around listening to my own music, because I tend to cringe and think that I could have done better. I also suffer from red light syndrome quite a lot. I tend to narrow my thinking when the red light goes on to record. Instead of just relaxing and playing and emoting, I think of time being wasted so I won't take a chance on something. Consequently, when I hear it back, I think, "Why the hell did I play it so safe on that piece of music when I could have really opened up?" Well, it's because of not wanting to make a mistake.
Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed
among artists as well. Whether or not we know it, we are all to blame. I think it's time - starting with the artist - to try to be a little more responsible and aware of what goes on in our
name.
There's nothing wrong with commercial art. There's nothing wrong with consumer society. There's nothing wrong with advertising. There's nothing wrong with shopping and spending money and being paid. There's nothing wrong with any of these things. These are things we do. I just think it's important to look at them from a different perspective - to see how bizarre and banal these rituals we partake in are. It's just important to think about them, I think, and to carry on. Life is about retrospection, and I think that goes for every facet of life.
I don't drink and I never have. A lot of people ask me why. But imagine if something goes wrong... I just want to make sure I've got nothing to blame, like: 'I should have done this, I should have done that.' I just want to focus on what I do on the pitch.
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