A Quote by Sophie Ellis-Bextor

Not all my shoes are designer. In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. I'm attracted to things rather than labels.
In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2.
It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.
No matter what, I always have expensive designer shoes. It's all about the shoes for me.
I'm literally nowhere yet... When things started going well, this French designer called Ami gave me some shoes and clothes to wear. But when I sat down to play the piano, the very new shoes kept slipping off the pedal. So I took them off, threw them away, and have never worn shoes while playing the piano from then on.
Reyes leaned back against the bar, crossed his arms over his chest, and studied me from beneath those same ridiculously long lashes. Men and their freaking lashes. It was so unfair. Like the exorbitant cost of designer shoes. Or world hunger.
As a person, I am still very middle class. People don’t realise these things. Most of the black suits that I wear are the same. All the designer clothes I have are actually from my films. I don’t dream of Rolls Royce and things like that… People are kind enough to me to give me the nicest things in life, but it doesn’t mean that I’m used to them.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
I love beautiful clothes, shoes, and bags like everyone else. However, I do not put a lot of emphasis on who I wear and how much my clothes cost. If it's a label, it's a label. If it's not, it's not.
I've always liked clothes. I usually work very closely with the costume designer when I work on films, picking the fabrics and the clothes. And colors convey feelings. I like swatches and things like that. It makes me feel at home.
I'm a designer. I make clothes and bags and shoes. I have a job that involves making creative choices, but I'm not a divinely inspired human being like an artist!
I ask you, how would you like your mom, your wife, your daughter to spend $100,000 to go to Harvard or some state school, and go out into the workplace, and you know she's great, and men are getting paid $200 per week more than her? Would that piss you off? What if you lost your job and you stay home crippled while she goes out, and she thinks she's going to get a good job, but someone male with the same level of experience and the same level of education gets paid more than her? You're going to get pissed. Until you walk a mile in someone else's shoes, I don't want to hear it.
No matter how pretty or designer the clothes are, I don't like to wear anything that is uncomfortable.
I'm a designer of more than clothes. I am a designer of a very creative concept.
I have no agenda at all. I just want to do stuff I like. It can cost $200 million or $200 thousand.
I love music in general. It's like girls and their clothes and shoes; when you love shoes, you love shoes. So, for me, I think it's a really dangerous thing to say I'm going to write the best dance song in the world.
We have an industrial base - one that, if made to take orders rather than being allowed in the vacuum of leadership to create them, if enabled by the elimination of cost-plus contracting to produce and achieve rather than waste and receive, could make something worth the cost rather than making work that costs us our dreams.
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