A Quote by Sophie Ellis-Bextor
But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.
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In the bedroom time I have generated thoughts, and then in the studio I take those thoughts and try to shape them into something.
I don't like working in a studio, at all. I just prefer to be on location, rather than hearing the bells of the studio going off. It's like being in Las Vegas, where no one knows the time and there are no windows.
Depth on different levels is so important to me. You look at a band like The Beatles, all their material has so much depth to it. And I want people to be able to run away with my melodies and get lost in them and take the lyrics and be able to relate to them.
Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits.
People like to examine the things that frighten them, to look at them and give them names, so saints look for god, and scientists look for evidence. They're both just trying to take away from the mystery, to take away from the fear.
I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.
I'm proud of the lyrics because I take a lot of care in writing them. I try to make it so people will want to go in and get really into the lyrics. I hope there are different corners to them, with lots of levels-without sounding pretentious.
I like clever lyrics, funny lyrics, dumb lyrics. I can never put my finger on what I like about them.
You have to give them something where they walk away and say, 'I want more of that.' To create something like that, you have to take them on a journey. So the live show is very important to us; we've been working on that a lot.
We like to take pop songs that have really cool, complex melodies or lyrics and strip away all that fluff and electronic noise, and put them back as if they were written for a singer and a piano.
What will you do with them?" "Redo them in charcoal, probably." "And then?" "Tack them to my bedroom wall." Bedroom wall? "Who wouldn't want to wake up to this?
I had to learn how to work in a studio at first because it's a totally different creative environment to the 'bedroom recordings' I'd done before, where I could translate my own ideas without having to explain them to anyone.
I was asked by this British band called Kairos 4Tet to write lyrics for them. And I wrote lyrics for them. The album is called 'Everything We Hold,' and you can hear my lyrics.
Talking about muscles. They're like pets basically. They're not worth it. You have to feed them all the time and take care of them, and if you don't, they just go away. They run away.
I try not to agonize over my lyrics, though, because that can come across in them. Some lyrics come more easily than others and some you have to spend a lot of time on, but I think you have to watch that you don't take the life out of them by worrying too much.
[As a frontman ] I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
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