A Quote by Sophie Ellis-Bextor

In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. — © Sophie Ellis-Bextor
In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2.
Not all my shoes are designer. In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. I'm attracted to things rather than labels.
It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.
I have no agenda at all. I just want to do stuff I like. It can cost $200 million or $200 thousand.
I made some choices that weren't right in the past. It cost me in terms of my confidence and everything.
I try to treat every job with the exact same level of respect. When I go into it, it doesn't matter what the budget is or who the lead actor is. You should have the same focus and the same drive, and you should have as much empathy for your character and understanding of them as you would, no matter what.
We're trying to improve everyone. It doesn't matter if he cost £10 million, £15 million, £200 million. There is always space to do something better.
My dad got me the same mic I use on everything now - this $200 mic from Guitar Center.
I've done my own videos, I do my own styling, so I feel like I've just always been a visual artist... I was one of those kids who wanted to make my own clothes and take pictures of everything. Everything inspired me, and everything felt like art around me.
I love beautiful clothes, shoes, and bags like everyone else. However, I do not put a lot of emphasis on who I wear and how much my clothes cost. If it's a label, it's a label. If it's not, it's not.
Once you follow a path of nonviolence and social justice, it won't take you long before you come into conflict with the culture, with the society. You can't know what is at stake or how much it is going to cost you until you get in the game. That's the only way, and the level of cost is equal to the level of involvement.
You have to like everything that you're painting. Maybe on a narrative level it seems harsh... but I like everything in all my paintings. It's as if you need to be less intelligent at that level.
I cherish my clothes and I remember what seasons they're from. But someone said to me as I was having trouble with styling a dress that I had bought, and he said to me: "Throw it on the floor." And I was like, "What? It's like a gown." He goes, "Throw it on the floor," and I did, and he's like that's how you need to wear everything. You wear clothes like you throw them on the floor.
We have an Army that hasn't been in this position since World War II, in terms of levels and in terms of readiness and in terms of everything else. We are not capable like we have to be.
I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.
AIG would be doing fine today. It was one of the ten largest companies in the United States in terms of market value, over 200 billion, the most respected insurer and everything in the world.
Without being overtly political about it, if people with severe disabilities are calculated in societal terms purely as a monetised unit, in terms of how much they cost in terms of care, you lose an important sense of who they are and the effect they have.
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