My family is just embarrassingly proud of me. My brothers get a little protective... overly protective. I've made rules now where I say: "You can't go outside and scream at people if they have cameras!"
The industry is quite chauvinistic generally. Expectations of women, girls, what they should look like, how they should be, what they should say, what they should wear, how their hair should be, what colour their skin should be.
I saw my future. I pictured it, but didn't quite know how to get there. But I knew that I should never give up.
The general public may not have an understanding about me and what I do, how I feel about my children, how I feel about my family, how protective I am over my family and children. They just see a big guy in a cage that fights, that knocks people out or this and that.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
Peeta, how come I never know when you're having a nightmare?” I say. “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.
I never quite know how to describe what I do. I normally just say, 'Oh, I'm a magician', which probably puts fairly naff ideas in people's minds but is pleasantly conversation-stopping.
The family, that dear octopus from whose tentacles we never quite escape, nor in our innermost hearts never quite wish to.
We never say so much as when we do not quite know what we want to say. We need few words when we have something to say, but all the words in all the dictionaries will not suffice when we have nothing to say and want desperately to say it.
I still don't even know if the sheriff will let me see him. And suppose he did; what then? What do I say to him? Do I know what a man is? Do I know how a man is supposed to die? I'm still trying to find out how a man should live. Am I supposed to tell someone how to die who has never lived?
The first one was quite cheap, but that was expensive for us. For my folks to buy on the Never Never. It was quite, you know, a rare object to have and I gained quite a lot of status by having this.
They're my best friends. We think of Gigi as the brains in the family - something most of the world doesn't know - and my favorite thing about Bella is that she's a free spirit who never lets anyone set limits for her. They can be really protective, but they've taught me not to let other people define what I'm capable of.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
There's a bizarre insistence on how a story should be. 'The protagonist must be sympathetic!' they say. Whatever that means. I never engage in that discussion. I never use that word, 'sympathetic.' I just know 'interesting.'
I don't quite know what a record is anymore. I don't quite know how to describe it. Don't know how to define it yet, so I'm just letting it gestate, and grow and see if maybe I'll get a better sense of what a record is.
I have never felt any connection with my family. There is?I must say simply?something in me that is not in my family. That was not visible in my father or mother. I do not know its origin.