A Quote by Sophie Ellis-Bextor

In terms of influence, my style icons have been a mixture of Julie Andrews and Olivia Newton-John. When I was little I used to watch 'Grease,' 'Mary Poppins' and 'The Sound of Music' a lot. If you put all those things together you do kind of get my outfits. A slightly tarty nanny in a second-hand outfit. That is pretty much what I wear.
You're worried about the quality of John Legend and Chrissy Teigen's child care? It's not like they're getting their nanny off Craigslist. They're rich celebrities. They could get Mary Poppins to watch their baby, as in literally call Julie Andrews, get her to come out of retirement to babysit in character as Mary Poppins.
My mum always tells the story that, when she was pregnant with me, and I was two weeks late, she would watch Mary Poppins over and over again to try and get me to come out. That is my relationship with Julie Andrews.
When I was three years old, a nanny took me shopping and I saw large cut-outs of Mary Poppins in the store and yelled, 'That's mummy!' These women walked by and said, 'Oh how cute. That little girl thinks that Mary Poppins is her mum.'
She can be Mary Poppins but she can also be - I would never use the word 'crude' in the same sentence as Julie Andrews because she is so fine and beautiful - but she can be naughty and she doesn't mind a good joke.
Sitting next to Olivia Newton-John, I was like, 'Do not sing one song from Grease.' That's all I was telling my brain at all times: 'Do not sing Hopelessly Devoted. Don't do it.'
I’ve always been about style for people, not ‘You’re going to wear this outfit,’... It was the way you put yourself together and the imagination, not buying this number off the rack, but the way you wear it
I still absolutely love 'The Sound of Music' and anything with Julie Andrews in it.
'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'
I do get a lot of gifts. I get a lot of things to sign, too. People do collect the memorabilia. Between 'Poppins' and 'The Sound of Music,' there were beautiful plates that they made, and I've signed a lot of them.
Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
I travel light obsessively. I take hardly any clothes or shoes because I think that all I need is a couple of work outfits, rehearsal outfits, a pair of trainers and one glamorous outfit you can re-wear and re-wear.
Suddenly, I was in a category with Barbara Striesand, Olivia Newton John, Donna Summer, Carley Simon - it was kind of neat for me.
Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.
I was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.
I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
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