A Quote by Sophie Hannah
I was working as a secretary in Manchester and thought I would always do that. Then I got this letter offering me a two-year fellowship where I could write; they would pay me a salary and give me a flat to live in. It was heaven.
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My sophomore English teacher encouraged me to write for the school paper, and that's what got me started. Suddenly it struck me that being a writer could be a romantic and adventurous position. Previously, I had thought I would be a tennis pro, giving lessons at a local club. I thought that would be a good life, and it might have been.
I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color.
Someone asked me if I would like to write a man on death row, be a pen pal, and I was like, sure. I volunteered. I had been in a place in my life - a relationship had ended; my parents were getting elderly - I was kind of adrift. The name that was given to me, just randomly, was Todd Willingham. And he wrote me a letter, and in this letter, he thanked me for writing him and [said that] if I would like to visit, he would put me on his visitor list... I was just really struck by the letter from Todd. It was very polite; it was very kind.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
I want to live as long as I can do good; but not an hour longer than I can live in fellowship with the Holy Spirit, with my Father in heaven, my Savior, and with the faithful Latter-day Saints. To live any longer than this would be torment and misery to me. When my work is done I am ready to go; but I want to do what is required of me.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
But no longer could I aks God what to do, since the answer, I was sure, would not suit me. I could do what suited me know, as long as I could pay for it. 'As long as I could pay for it.' That phrase soon became the tail that wagged my dog. If I had died then, it should have been my epigraph.
I'd always thought that my awkwardness was a thin veil disguising the real me. The me that was funny and could write songs that touched people. The me that would one day find some beautiful, intelligent boy who'd recognize me as his soul mate. The me who was secretly pretty and stylish if only someone would lift the veil and see. But I was beginning to suspect that underneath the awkwardness there was just more awkwardness and not much else. And that would explain why I stood in a room full of people and felt like the loneliest girl in the world.
From age 23 to 44 - I'm 45 now - I was always in need of money, and I was especially in need of it from 23 to about 34, and my great aunt would always give me money, a hundred bucks, every two months or so, and a lot of times that hundred bucks made a huge difference - I could eat or pay a small bill. It kept me going. She gave me money. It was very loving.
When I got in trouble, my mom would make me read or write - I would have to write my name over and over and over again. It gave me great penmanship, but I also just liked to write. Every time I would go to the store, I would buy a notebook. I had thousands of them.
When I write something that would have made me laugh as a 10-year-old, or would have scared me or would have excited me, I know I'm onto something.
Acting in two films would mean four months of the year, which would leave eight months for me, and if Bollywood needs that time from me, I am ready to give it a shot.
I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'
Charles Burchfield would look at what you were working on and not say anything for several minutes. Then he would very sensitively respond - "Well, have you thought about?" or "Might you consider?" I respected that so much because I thought he was so sensitive to my work, and didn't want to offend me, but in the right way to encourage me.
I cured with the power that came through me. Of course, it was not I who cured,it was the power from the Outer World; the visions and ceremonies only made me like a whole through which the power could come to the two-leggeds. If I thought that I was doing it myself, the hole would close up and no power could come through. Then everything I could do would be foolish.
I would love to have the power to be the just eternally perfect husband so my wife would always be happy; that would take me to heaven if I could figure that one out.
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