A Quote by Sophie Hannah

Everything is personal - the poems and the crime novels. I have never been involved in any murders, but there are strong autobiographical elements in each. — © Sophie Hannah
Everything is personal - the poems and the crime novels. I have never been involved in any murders, but there are strong autobiographical elements in each.
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
Many of the poems weave autobiographical elements with fabular or mythic materials.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
I don't really consider any of my novels 'crime' novels.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
Everything I do is personal. I have never made a movie that didn't have very strong personal resonance.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
People who attack biography choose as their models vulgar and offensive biography. You could equally attack novels or poems by choosing bad poems or novels.
There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.
If two irreconcilable elements are struggling with each other, the solution lies in force. There has never been any other solution in history, and there never will be.
I was involved with MySpace and Facebook and everything at a very young age because it's so casual now, and I'm into texting, obviously. But I've never been involved in any type of chat room. My parents are pretty cautious about it and know all my passwords and know who my friends are and who I'm talking to.
I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.
Each one of my films is personal; each one of my films is emotionally autobiographical. And I like directors who do that.
My work has never been autobiographical. Although the subjects are driven on a personal perspective it's sort of elevated above me. I try to express something that is more a collective expression of crisis.
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