A Quote by Sophie Kennedy Clark

I believe there's a job in the fish factory for me. That's enough to get me through every audition. — © Sophie Kennedy Clark
I believe there's a job in the fish factory for me. That's enough to get me through every audition.
I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
According to the group People for the Ethical Treatment of Animals, fish have feelings too. Whenever my sons go fishing they always tell me, "Dad it doesn't hurt a fish to get hooked." Well I watch and I see and I believe it's painful for the fish.
Fish butchering means a lot to me as a chef; I take pride in it and get a lot of joy from filleting fish, working with fish, breaking down fish, trying to understand fish.
Auditions are so much fun. A lot of people dread auditions; they think they have to do it in order to get the job. I don't really mind if I don't get the job, as long as I get to do something interesting in the audition. It makes me feel more creative as a person.
Well, for me the canning factory was minimum wage, which at the time I believe was $3.40 or something. I was just happy to have a job.
I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.
With acting, you do want to get every job, and you're trying to get every audition, but then you reach a certain stage where you start to kind of gravitate toward the stories and the people that have a similar heartbeat.
I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.
My sisters are my best friends and my most staunch supporters. They're always there to help me through every audition, through interviews and through everything. They are the best things in my life, and I would be completely lost without them.
I've been noble since they took you to the hospital," he said through his teeth. "I'm tired of it. I don't eat, I don't sleep, I can't even work. I remember your voice moaning in my ear like the cry of the damned while I was having you," he bit off, bending to her mouth. "You couldn't get enough of me. You couldn't get close enough to me. Your face when I fulfilled you....I ache every time I think about it.
I don't get to fish that much, believe me.
I took a job at a factory in New Jersey to try to save money to go to Europe. When I took the job, I set a date for quitting. I was going to hitchhike around, be a hippie, see the world. I just wanted to be responsible long enough to get up the money to get there and trip around.
I think with every character I get, there's an approach that's appropriate. I feel like my own job is to interpret what there is in the film and show that through me, sort of really channel myself through the role. If I feel I need to get into it to the point where I don't leave it, then I will.
My mum sent me to an open audition for 'Notes On A Scandal' so I could see quite how many other girls wanted to do this. And I queued up, and I got the job. That was my first-ever audition, and my second was 'Atonement.'
When I was 19, I made my first good week's pay as a club musician. It was enough money for me to quit my job at the factory and still pay the rent and buy some food. I freaked.
Believe me, I did not come to London to cook farmed fish. All my fish are wild.
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