A Quote by Sophie Kennedy Clark
It's not like they just open the gate to Hollywood and off you go - you earn your stripes. I worked ferociously hard even just to get an agent.
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Where I went off, you can get back on the track by going through the support race pitlane, but you have to go through a gate. I know this as I did the same thing in 2001 and the gate was open that year. Somebody closed it this time. Next year, I'll make sure it's open again...
I once was poor myself. I worked to get where I am today and I've worked hard to spend $100,000 a year on my clothes and I've worked hard to earn $3 million a year. I deserve what I get because I worked for it.
When you're a young actor you ring your agent every evening. It's not like when you're in Hollywood where you do one picture a year. You just hope you get a day on television.
Well, just coming off the stage and there's like 180,000 people out there and your adrenaline is going so high, and you're doing so much and it's hard to just put your head on the pillow and sleep because it just goes on and on, even after you're off the stage.
Before one goes through the gate one may not be aware there is a gate One may think there is a gate to go through and look a long time for it without finding it One may find it and it may not open If it opens one may be through it As one goes through it one sees that the gate one went through was the self that went through it no one went through a gate there was no gate to go through no one ever found a gate no one ever realized there was never a gate
We go to Europe, and they think we're totally prejudiced 'cause we hang the bars and stripes. But for us, the bars and stripes doesn't mean we want to see anybody in slavery or anything like that. It's just our heritage. To us, the bars and stripes means grits, 'y'all,' and the beauty of the South. There's no prejudice at all in that with us.
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
-Please, Anita, go home, and don’t freak. Just go home, and be happy. Be happy, and let everyone around you be happy. Is that so hard? When Jason said it like that, it didn’t seem hard. In fact, it seemed to make a lot of sense, but inside, it felt hard. Inside it felt like the hardest thing in the world. To just let go, and not pick everything to death. To just let go and enjoy what you had. To just let go and not make everybody around you miserable with your own internal dialogue. To just let go and be happy. So simple. So difficult. So terrifying.
I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.
Even if you’ve taken off every stitch of clothing, you still have your secrets, your history, your true name. It’s hard to be really naked. You have to work hard at it. Just getting into a bath isn’t being naked, not really. It’s just showing skin.
When you open your mind up, and you go into a creative state, you can't just switch if off. When you have an idea, a creative impulse, and then you ignore it, it can keep you up when you just want to go to your bed - which is why it's great to have voice recorders on your phone!
It's funny because every time I go to a shoot, and I have clothes on, they inevitably come off. I just did one recently and the stylist was like, "So..." and you just know that they are going to get to the point where they say "Can you take your clothes off?"
A lot of times, it's nice to open, because the heat's off you. You just go out and blast your set and say to whoever's going to finish, 'There you go.' Even though when you first start, people are drifting in, and that's kind of a bit disconcerting.
When I was a Hollywood press agent, I learned how the Hollywood casting system worked. There was a roster of actors who were always perfect as doctors or lawyers or laborers, and the directors just picked the types they needed and stuffed them into film after film. I do the same [with
my characters], book after book.
I believe in love. I believe in good stories. I play really hard on the weekends because I like to have those stories. My wife and I go off and do craziness all the time. We're just like, 'What can we go get into this weekend?' Then we have other ones where we just sit and do nothing and then we have work that we do. It's all memories.
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