A Quote by Sophie Kinsella

My childhood was spent embracing one literary heroine after another. I identified passionately with each one and would slavishly imitate them. — © Sophie Kinsella
My childhood was spent embracing one literary heroine after another. I identified passionately with each one and would slavishly imitate them.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
If the land was divided among all the inhabitants of a country, so that each of them possessed precisely the quantity necessary for his support, and nothing more; it is evident that all of them being equal, no one would work for another. Neither would any of them possess wherewith to pay another for his labour, for each person having only such a quantity of land as was necessary to produce a subsistence, would consume all he should gather, and would not have any thing to give in exchange for the labour of others.
Most of my childhood revolved around wondering when we would be blown up by the Russians. I couldn't stand the news, I knew that if the missile were launched, mortality would arrive in half an hour, so I spent a lot of my childhood feeling that I was 30 minutes from being dead.
Certainly early on, I kind of modeled myself after Steve Martin and Bill Murray. I would imitate them sometimes.
Young players try and imitate the best players like Ronaldo. They try to imitate the hair, the clothes, the cars, the tricks. I try to tell them how hard Cristiano Ronaldo trained in training and after training. He only wanted to be the best. Everything else came after.
On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir?
To vest a few fallible men — prosecutors, judges, jurors — with vast powers of literary or artistic censorship, to convert them into what J. S. Mill called a "moral police," is to make them despotic arbiters of literary products. If one day they ban mediocre books as obscene, another day they may do likewise to a work of genius.
My parents thought art was important and a lot of my childhood was spent doing some form of it or another.
After World War II it was decided that, in order to prevent the Germans and the French from having another war, it would be better to tie them together into one economic pact so they would invest in each other and have mutual stakes. Until now, that has worked to prevent warfare between the two.
A lot of my work has been about the unexpected—that kind of wanting to be the heroine and yet wanting to kill the heroine at the same time. That kind of dilemma—that push and pull—is the underlying turbulence that I bring to each of the pieces that I make.
I'm still passionately interested in what my fellow humans are up to. For me, a day spent monitoring the passing parade is a day well-spent.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
We are each of us angels with only one wing, and we can only fly by embracing one another.
If people feel strongly and passionately about something, I'll let them speak strongly and passionately - I'm not going to tell them not to.
There was a magic about pulsars... no other things in the sky had such labels on them. Each one had its own distinct pulsing frequency, so it could be identified by anybody, including other creatures, after a long period of time and far, far away.
This was my one brush with love. Was it love? It felt awful enough. I spent another two years crawling around in the skin of it, smoking too much and growing too thin and having stray thoughts of jumping from my balcony like a tortured heroine in a Russian novel.
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