A Quote by Sophie Kinsella
If my writing comes to a halt, I head to the shops: I find them very inspirational. And if I get into real trouble with my plot, I go out for a pizza with my husband.
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My husband and I go to Il Fico every Friday, and I get the whole-wheat pizza. I won't eat pizza anywhere else!
This is how I started: My mom was crazy for antique shops and junk shops, and my sister and I would play this game where, if we were driving with my parents and saw a junk shop or an antique shop, we'd scream at the top of our lungs. My poor father would have heart failure and screech to a halt, and we'd leap out and go and explore.
There's great poetry in the Old Testament and the New Testament. And I'm not interested in trying to prove whether this paragraph is as it was or as it should have been or should not be. My pursuit is to find the truth for me in those stories and make them apropos. The important thing is that people wrote them. These were inspirational stories, and you got to see them that way. If you don't, you'll get in trouble. So I'm not going to spend a lot of time trying to find out whether or not Mary was a virgin. What do I care about Mary being a virgin?
I was writing a story, 'The Artistic Career of Corky,' about two young men, Bertie Wooster and his friend Corky, getting into a lot of trouble, and neither of them had brains enough to get out of the trouble. I thought: Well, how can I get them out? And I thought: Suppose one of them had an omniscient valet?
We should get into the habit of reading inspirational books, looking at inspirational pictures, hearing inspirational music, associating with inspirational friends.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
I remember writing 'All I Want Is You' and hoping it would get me out of trouble. I haven't stopped writing songs or getting into trouble since.
If you can get the proper definition of trouble, then we can find out who the real troublemakers are.
As regards plot I find real life no help at all. Real life seems to have no plots. And as I think a plot desirable and almost necessary, I have this extra grudge against life.
Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds.
You see, Dash -- I was never the girl in your head. And you were never the boy in my head. I think we both knew that. It's only when we try to make the girl or boy in our head real that the true trouble comes. I did that with Carlos, and it was a bad failure. Be careful what you're doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head.
On the whole, and this comment can get me in a lot of trouble, I find that retailers in the comic book business are not business people. They're fans who've gotten themselves shops.
When I'm writing a script, I don't worry about plot as much as I do about people. I get to know the main characters - what they need, what they want, what they should do. That's what gets the story going. You can't just have action, you've got to find out what the characters want. And then they must grow, they must go somewhere.
There is very little that is accidental in my work. I believe in serendipity for developments of plot, but the actual writing is arrived at by very hard work. The joy of writing doesn't mean that you don't get the backaches and headaches and the days when it's not coming.
The real trouble with the writing game is that no general rule can be worked out for uniform guidance, and this applies to sales as well as to writing.
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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