A Quote by Sophie Kinsella

When I had the idea for 'Shopaholic', it was as though a light switched on. I realised I actually wanted to write comedy. No apologies, no trying to be serious, just full-on entertainment. The minute I went with that and threw myself into it, it felt just like writing my first book again - it was really liberating.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
On 'There Will Be Blood,' I was cast at the last minute. I had 3 and a half to 4 days to get ready for the first day. I just went for it, threw myself in there and gave it everything I had. That was just guts and instinct, not a lot of preparation.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
I really struggled with doing nine-to-five and just wanted to do something where it felt like I was in charge and I was doing something creative. I imagine if the first gig had gone badly I'd never have done it again. I imagine there's hundreds of people who could have been really great comedians and just had a bad first gig.
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
When I had my first child, I didn't write for a year, and I felt when I tried to start again I might actually not be able to do it anymore. I really could not do it well, and I felt out of sorts with it.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
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