A Quote by Sophie Kinsella
My earliest, most impactful encounter with a book was when I was seven and awoke early on Christmas morning to find Roald Dahl's 'Charlie and the Chocolate Factory' in my stocking. I had never been so excited by the sight of a book - and have possibly never been since!
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My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.
My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.
When I was a child I devoured every book I could get my hands on. I loved losing myself in colourful and dramatic stories - and my absolute favourite was 'Charlie And The Chocolate Factory.' Everything about it electrified me, and when I re-read Roald Dahl's books as an adult it surprised me.
When I first thought about writing the book Charlie and the Chocolate Factory, I never originally meant to have children in it at all!
For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.
Joining 'ER,' I felt like that kid who got the golden ticket in 'Charlie and the Chocolate Factory.' I've been offered chocolate bars all these years, but there had been no golden ticket. Just the stomachache that was called 'Jake in Progress.'
Every book is vulnerable, and every book is nerve-wracking, but I've never been both so excited and terrified to have a book coming into the world. It's an expressly loaded subject, one on which you can't win.
I shouldn't have been diagnosed as swiftly as I had been. I shouldn't have recovered as fully as I did. I shouldn't have been able to write a book that did as well as it did, and that book should never have been made into a movie. Yet, here I am.
The prime function of the children's book writer is to write a book that is so absorbing, exciting, funny, fast and beautiful that the child will fall in love with it. And that first love affair between the young child and the young book will lead hopefully to other loves for other books and when that happens the battle is probably won. The child will have found a crock of gold. He will also have gained something that will help to carry him most marvelously through the tangles of his later years. Roald Dahl
I'll never forget a Podcast I did with Dr Joseph Mercola when my bestseller, 'The Plant Paradox' had just come out. He was wild about the book, and apoligized that he had never heard of me before the book. He asked what I had been doing for so many years. I replied that I was merely following the Buddha's advice to 'chop wood and carry water.'
This book was written in those long hours I spent waiting for my wife to get dressed to go out. And if she had never gotten dressed at all this book would never have been written.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.
The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one's head and taste its true flavor. [...] It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
The book tour has been really interesting and very gratifying. I have not book toured before. I've never had quite as much pleasure, as much satisfaction.
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