A Quote by Sophie Marceau

Well it is sometimes difficult to act in another language — © Sophie Marceau
Well it is sometimes difficult to act in another language
Well it is sometimes difficult to act in another language.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
I'm not a wildly gifted person; I don't play an instrument or speak another language or have great accomplishments in another field, as many writers do. But writing feels natural to me; the act of it seems to free up my unconscious, so that sometimes I feel that I have access to more ideas and information than my conscious mind could think up.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
In 'A Royal Affair' I had to learn to act like a queen and learned Danish. It's so much different to act in another language. It's the nuances in the words.
I think Russia is a difficult country, and it's very difficult for people to adapt here, especially if they don't speak the language well.
Acting in another language is great, and I've done that. But you can't do it as well as you can do it in your own language.
The best language is always found in books because it's considered. It's a high language. Sometimes, it is complex and difficult. It's empowering and offers a way to speak about yourself that you don't have if all you are doing is reading the newspaper and watching TV.
Dr. Adler had instructed me to always say whatever I was thinking, but this was difficult for me, for the act of thinking and the act of articulating those thoughts were not synchronous to me, or even necessarily consecutive. I knew that I thought and spoke in the same language and that theoretically there should be no reason why I could not express my thoughts as they occurred or soon thereafter, but the language in which I thought and the language in which I spoke, though both English, often seemed divided by a gap that could not be simultaneously, or even retrospectively, bridged.
Language is not made to be believed but to be obeyed, and to compel obedience newspapers, news, proceed by redundancy, in that they tell us what we ‘must’ think, retain, expect, etc. language is neither informational nor communicational. It is not the communication of information but something quite different: the transmission of order-words, either from one statement to another or within each statement, insofar as each statement accomplishes an act and the act is accomplished in the statement
There is another language beyond language, another place beyond heaven and hell. Precious gems come from another mine, the heart draws light from another source.
Life can be difficult sometimes, it gets bumpy. What with family and kids and things not going exactly like you planned. But that's what makes it interesting. In life the first act is always exciting. The second act, that is where the depth comes in.
Remember that you are an actor in a play, and that the Playwright chooses the manner of it: If he wants you to act a poor man you must act the part with all your powers; and so if your part be a cripple or a magistrate or a plain man. For your business is to act the character that is given you and act it well. The choice of the cast is Another's.
The act of language or the act of denying language carries its own heaviness.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
To think is easy. To act is difficult. To act as one thinks is the most difficult.
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