A Quote by Sophie McShera
Normally, you have to wait for the costume department to help you out of costume.
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Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
The secret to a great Halloween costume, and I can't stress this enough, is in my opinion is to extract sexuality out of your costume.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
We have a costume closet at home. My family will put on a costume for any excuse.
My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.
Costume is a massive thing. I think costume makes you stand differently.
The skeptics said you can't put on a costume in the middle of New York - which isn't true, because everyone's in a costume here.
I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."
The first time I ever dressed in drag was at a costume party during my childhood. I went as Wonder Woman and my mom even took me to get the costume.
I enjoyed studying costume, learning about the corsetry and the historical context of fashion. I never had any real intention of being a costume designer.
I've turned up to costume parties in the wrong costume. I've made social faux pas a plenty. I've put one foot in front of the other and fallen over.
Halloween is not only about putting on a costume, but it's about finding the imagination and costume within ourselves.
I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.
When I was a kid my family was really poor and I remember one Halloween I wanted to dress up really scary and my parents came home with a duck costume. I wore that costume for years! I hated it.
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