A Quote by Sophie Ristelhueber
I have these obsessions that I do not completely understand, with the deep mark, with the ruptured surface, with scars and traces, traces that human beings are leaving on the earth. It is not a comment on the environment... it is metaphysical.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
My real interest is traveling the world's tormented places and revealing the scars and the traces on the ground. I am dedicated to the earth.
A poet should leave traces of his passage, not proofs. Traces alone engender dreams.
The breaking up of the terrestrial globe, this it is we witness. It doubtless began a long time ago, and the brevity of human life enables us to contemplate it without dismay. It is not only in the great mountain ranges that the traces of this process are found. Great segments of the earth's crust have sunk hundreds, in some cases, even thousands, of feet deep, and not the slightest inequality of the surface remains to indicate the fracture; the different nature of the rocks and the discoveries made in mining alone reveal its presence. Time has levelled all.
Every animal leaves traces of what it was; man alone leaves traces of what he created.
There is in this world in which everything wears out, everything perishes, one thing that crumbles into dust, that destroys itself still more completely, leaving behind still fewer traces of itself than Beauty: namely Grief.
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Perhaps reluctantly we come to acknowledge that there are also scars which mark the surface of our earth: erosion, deforestation, the squandering of the world’s mineral and ocean resources in order to fuel an insatiable consumption.
It's impossible to move, to live, to operate at any level without leaving traces, bits, seemingly meaningless fragments of personal information.
We persist and linger longer than we think, leaving traces of ourselves wherever we go. If you take that away, then we all simply vanish.
The artist, a traveller on this earth, leaves behind imperishable traces of his being.
Nostalgia for people, cultures, everything. There's an ability to use these marks to note things that are erased, deleted. Traces are a species of history, of evidence. It's a way for the way the narrator to construct a semblance of self, even though all of this creates a deception, a way to think of one's traces as a real way to define oneself. The trace is fallible, impermanent. It's one of the motives I had in mind throughout the text.
The starting-point of critical elaboration is the consciousness of what one really is, and is 'knowing thyself'as a product of the historical processes to date, which has deposited in you an infinity of traces, without leaving an inventory.
Man is not the most majestic of the creatures; long before the mammals even, the dinosaurs were far more splendid. But he has what no other animal possesses: a jigsaw of faculties, which alone, over three thousand million years of life, made him creative. Every animal leaves traces of what he was. Man alone leaves traces of what he created.
Thus violent deeds live after men upon the earth, and traces of war and bloodshed will survive in mournful shapes long after those who worked the desolation are but atoms of earth themselves.
If they [enlightened men] take any interest in examining, in the infancy of our species, the almost obliterated traces of so many nations that have become extinct, they will doubtless take a similar interest in collecting, amidst the darkness which covers the infancy of the globe, the traces of those revolutions which took place anterior to the existence of all nations.
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