A Quote by Sophie Rundle

I think I just have one of those faces that can look like lots of different people. — © Sophie Rundle
I think I just have one of those faces that can look like lots of different people.
As an actor, I've just gotten insanely lucky. I quite like being surrounded by lots of different talented people lots of different times a year.
I don't think I'm mainstream. I think what I am is lots and lots of different cults. And when you get lots and lots of small groups who like you a lot, they add up to a big group without ever actually becoming mainstream.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
We all hate on ourselves way too much, and there are so many people who think they have to look like those women on TV. That's so unreasonable. Everybody is supposed to be a different size. And if I can just be confident in myself, then I'll look better. It's quantum physics!
Those women with collagen lips just look like frogs - 'muffin mouths,' I call them. There's not a line on their brows, and all the emotion gone from their faces, like all those actresses in 'Desperate Housewives.'
In this industry, people like to look at different faces on their screens - even I do.
I got involved in lots of different areas round about 2007, 2008. Just working with lots of different people and stretching myself in different ways. I was working on art projects and working with other writers, just doing bits and pieces, trying to keep busy.
In the 'Doki Doki Morning' video, there were lots of parts where we weren't dancing. It was just, you know, our faces. But fans thought up their own movements and dances for those parts, and they made lots of outfits, too.
I think Africa is the most interesting continent on the planet. You look at a country like Egypt, and you look at a country like Ghana. It's just completely different, and the people look completely different. It's just a fascinating continent with the most culture.
I just like the prospect of playing lots of different types of characters and just the opportunity to challenge yourself, do something different and surprise people.
Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
Look at the streets! The people have smiles on their faces, they're hustling and bustling and going places, they're well-dressed, there's lots of construction going on. It's kind of hard to feel sorry for an economy like this.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I guess I just have one of those resting faces that makes me look like I want to beat you up.
Very often the people who are shooting your film do not look like you if your film is brown-centric in some way. What is very interesting is to be going through these scenarios and turning around and looking at so many faces that are not yours. Even though those faces are looking at you in love, it puts you in a space when you are on a plantation in that condition. I think that it allows you to see further into possibly what that place really was for someone else, except thank God we're with people who love and respect us.
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