A Quote by Sophie Swetchine

True poets, like great artists, have scarcely any childhood, and no old age. — © Sophie Swetchine
True poets, like great artists, have scarcely any childhood, and no old age.
Like the seasons of the year, like history, truth also repeats itself. But we seldom recognize it when great poets or true artists - the prophets and the priests of our day - present it to us in garments spick and span, following the fashion of the age, the slant of its fancy, the turn and temper of its mind.
Childhood itself is scarcely more lovely than a cheerful, kindly, sunshiny old age.
Without poets, without artists... everything would fall apart into chaos. There would be no more seasons, no more civilizations, no more thought, no more humanity, no more life even; and impotent darkness would reign forever. Poets and artists together determine the features of their age, and the future meekly conforms to their edit.
I think the music reflects the state that the society is in. It doesn't suggest the state. I think the poets and musicians and artists are of the age - not only do they lead the age on, but they also reflect that age. [...] Like The Beatles. We came out of Liverpool and we reflected our background and we reflected our thoughts in what we sang, and that's all people are doing.
Like childhood, old age is irresponsible, reckless, and foolhardy. Children and old people have everything to gain and nothing much to lose. It's middle-age which is cursed by the desperate need to cling to some finger-hold halfway up the mountain, to conform, not to cause trouble, to behave well.
At the age of 18 all young poets are sure they will be dead at 21 - of old age.
Let your old age be childlike, and your childhood like old age; that is, so that neither may your wisdom be with pride, nor your humility without wisdom.
If the United States haven't grown poets, on any scale of grandeur, it is certain that they import, print, and read more poetry than any equal number of people elsewhere -- probably more than the rest of the world combined. Poetry (like a grand personality) is a growth of many generations -- many rare combinations. To have great poets, there must be great audiences too.
The great leaders of business, industry and finance, and the great artists, poets, musicians and writers all became great because they developed the power of self-motivation .
Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.
The phenomenon of Instagram poets - who are also, to be fair, Tumblr poets and Pinterest poets - has been one of the more surprising side-effects of the selfie age.
Like it or not, in the end, it's one's body. It's literally what carries you through life. There's a reason for the saying, 'If you have your health, you have everything,' and it's true. Old age, disease - these are the great equalizers.
For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
People will always blame the poets for society's ills. But these are the true artists.
I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.
Years ago I sang on a track using that voice and someone asked, 'Who is that terribly depressed man?' But Patrick loved it. He said, 'You sound like a young boy, like a child, like an old woman, like an old man,' and really, we all have all of those things inside of us. I don't do any vocal gymnastics to make the voice better as I age. If it comes out rougher, then it's true to what's happening. Singing is who I am. I didn't train for it, any more than I trained for anything else I did. I probably should take better care of myself physically, but it goes against the grain.
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