A Quote by Sophie Swetchine
Old age is not one of the beauties of creation, but it is one of its harmonies. The law of contrasts is one of the laws of beauty. Under the conditions of our climate, shadow gives light its worth; sternness enhances mildness; solemnity, splendor. Varying proportions of size support and subserve one another.
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Old age is not one of the beauties of creation, but it is one of its harmonies.
We imagined that the mildness of our government and the wishes of the people were so correspondent that we were not as other nations, requiring brutal force to support the laws.
Where there is light, there must be shadow, where there is shadow there must be light. There is no shadow without light and no light without shadow.... We do not know if the so-called Little People are good or evil. This is, in a sense, something that surpasses our understanding and our definitions. We have lived with them since long, long ago-- from a time before good and evil even existed, when people's minds were still benighted.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
A creative act enhances the beauty of the world; it gives something to the world, it never takes anything from it. A creative person comes into the world, enhances the beauty of the world - a song here, a painting there. He makes the world dance better, enjoy better, love better, meditate better.
I am arguing that it is a mistake for trans activists to focus our resources and attention on winning inclusion in legal equality frameworks, such as anti-discrimination laws and hate crimes laws, that will not provide relief from the life-shortening conditions trans populations are facing. Winning legal equality - getting the law to cast us as victims of discrimination who the state will protect - will not support our survival.
All the masterpieces of art contain both light and shadow. A happy life is not one filled with only sunshine, but one which uses both light and shadow to produce beauty.
All this we see, and, therefore, instead of inanely repeating the old formula, "Respect the law," we say, "Despise law and all its Attributes!" In place of the cowardly phrase, "Obey the law," our cry, is "Revolt against all laws!"
Let us assume that entertainment is the sole end of reading; even so I think you would hold that no mental employment is so broadening to the sympathies or so enlightening to the understanding. Other pursuits belong not to all times, all ages, all conditions; but this gives stimulus to our youth and diversion to our old age; this adds a charm to success, and offers a haven of consolation to failure. Through the night-watches, on all our journeyings, and in our hours of ease, it is our unfailing companion.
Doubtless almost any intense emotion may open our 'inward eye' to the beauty of reality. Falling in love appears to do it for some people. The beauties of nature or the exhilaration of artistic creation does it for others. Probably any high experience may momentarily stretch our souls up on tiptoe, so that we catch a glimpse of that marvelous beauty which is always there, but which we are not often tall enough to perceive.
The law is equal before all of us; but we are not all equal before the law. Virtually there is one law for the rich and another for the poor, one law for the cunning and another for the simple, one law for the forceful and another for the feeble, one law for the ignorant and another for the learned, one law for the brave and another for the timid, and within family limits one law for the parent and no law at all for the child.
Contradictions of perspective. Contrasts of light. Contrasts of form. Points of view impossible to achieve in drawing and painting. Foreshortenings with a strong distortion of the objects, with a crude handling of matter. Moments altogether new, never seen before compositions whose boldness outstrips the imagination of painters Then the creation of those instants which do not exist, contrived by means of photomontage. The negative transmits altogether new stimuli to the sentient mind and eye.
As the light of morning strikes now one peak and then another, some being illuminated while others are in the shadow, so the light of the essential moral principle shines now upon one duty and then upon another, while others are in the shadow.
Moral education, as I understand it, is not about inculcating obedience to law or cultivating self-virtue, it is rather about finding within us an ever-increasing sense of the worth of creation. It is about how we can develop and deepen our intuitive sense of beauty and creativity.
The refining influence is the study of art, which is the science of beauty; and I find that every man values every scrap of knowledge in art, every observation of his own in it, every hint he has caught from another. For the laws of beauty are the beauty of beauty, and give the mind the same or a higher joy than the sight of it gives the senses. The study of art is of high value to the growth of the intellect.
A lily of a day
Is fairer far in May,
Although it fall and die that night,
It was the plant and flower of light.
In small proportions we just beauties see,
And in short measures life may perfect be.
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