A Quote by Sophie Tucker

It is a commentary on Berlin in 1931 that ... it was 'My Yiddishe Momme' that the Berlin Broadcasting Company asked for. — © Sophie Tucker
It is a commentary on Berlin in 1931 that ... it was 'My Yiddishe Momme' that the Berlin Broadcasting Company asked for.
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
The alliance with air Berlin is attractive for me. I can use the whole sales network of the air Berlin and 24 percent of my own airline at air Berlin sold.
My first visit to West Berlin was in February 1983. The drive through East Berlin, the fact that West Berlin was surrounded by a wall that was more than 100 miles long - the absurdity and intensity of it really knocked me out.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
There are many people in the world who really don't understand, or say they don't, what is the great issue between the free world and the Communist world. Let them come to Berlin. There are some who say that communism is the wave of the future. Let them come to Berlin. And there are some who say in Europe and elsewhere we can work with the Communists. Let them come to Berlin. And there are even a few who say that it is true that communism is an evil system, but it permits us to make economic progress. Lass' sie nach Berlin kommen. Let them come to Berlin.
I remember I went to Berlin right after the Wall came down. I first went to East Berlin, and all the buildings were old and falling down, and now when you go back to Berlin, you know you're in the East because all the buildings are brand new and very tall.
I jumped at the chance and auditioned for a leading role in the musical 'Hair,' which was touring in Berlin and London. I won roles in both productions and left my job as a secretary after 18 months in 1970 to join the cast of 'Hair' in Berlin. I opted for Berlin because a girl from my neighborhood was also going to perform in 'Hair' there.
I remember Berlin. Berlin to me was the star of the film. I loved for six months that we filmed there.
I live between Barcelona and Berlin. Staying in Spain over the winter and Berlin for spring and summer is an ideal combination.
I know when the Berlin wall went down and I walked into what was East Berlin and saw two big Nike banners - that gave me a chill.
Of course the Silicon Valley is unique and Berlin is not yet comparable. But of all the different cities that are building a startup infrastructure, Berlin is the one with the most similar energy.
I think Berlin is always inspiring. I love being in Berlin. It feels like such a cool city, with so much culture and art and independence everywhere.
When I was 16, I went to Berlin - West Berlin, since at that time a wall still divided the city - to live for three months with a family on an exchange program.
When I went back to visit my native Berlin after World War II, I noticed that the only thing I really remembered from my childhood Berlin days is the shoe store.
Every Westerner is jubilating that the Berlin Wall has fallen. Something worst than the Berlin Wall is in Palestine; and nobody is talking about it.
Film is my passion. I had no money, after Human Zoo. I was completely broke. It was horrible. My film was in Berlin on opening night, but I couldn't even get to Berlin.
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