A Quote by Sophie Turner
When I was growing up, I always saw Karen Millen as a resource for women who were a bit older.
Related Quotes
In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.
Knowledge-based apprenticeships kickstart careers. Just look at British fashion designer Karen Millen, for example, who learned her craft through an apprenticeship scheme.
Market research shows that older women like seeing older women in ads, and that younger women do, too - because they see them and are not frightened of growing older.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
Karen will never die. Max Mutchnick, one of the creators of the show, has always maintained that Karen is a bat who balls up and hangs from a rafter and sleeps during the day and that she'll live forever.
I was very close with my mother growing up. I have four older sisters who were an important part of my life. And I've been very close to all the women I've dated. I feel most comfortable around women.
When growing up, I saw segregation. I saw racial discrimination. I saw those signs that said white men, colored men. White women, colored women. White waiting. And I didn't like it.
Women's strength, women's industry, women's wisdom are humankind's greatest untapped resource. The challenge then for U.N. Women is to show our diverse constituencies how this resource can be effectively tapped in ways that benefit us all.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces, and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent and self confident they were, they ended up seeing themselves reflected in me and thinking that they were worse than they were. Please don't let that happen to you.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
I've always had gender confusion. I had two older brothers, and I've been predominantly male influenced. I really always looked up to my dad, really always looked up to my brothers... I had a lot of male friends growing up. It didn't help that in my town, where I lived, there were no female musicians.
I grew up in Long Island City. When I was growing up, my parents owned a women's clothing store in Queens. It was for older women. I got my bras there, until I realized I didn't want those huge, taupe bras. Everything was beige, with massive amounts of hooks.
I've always been a person afraid of the dark. I was taught that when you have complete darkness, that's when spirits walk. In our house when I was growing up, all the doors were always cracked a little bit at night so you could get light into the room.
Related Authors
Angelina Jolie Quotes
American
Actress
Carrie Fisher Quotes
American
Actress
Cate Blanchett Quotes
Australian
Actress
Drew Barrymore Quotes
American
Actress
Emma Watson Quotes
British
Actress
Jane Fonda Quotes
American
Actress
Jennifer Aniston Quotes
American
Actress
Kate Winslet Quotes
English
Actress
Kristen Stewart Quotes
American
Actress
Lena Dunham Quotes
American
Actress
Marilyn Monroe Quotes
American
Actress
Meryl Streep Quotes
American
Actress
Mindy Kaling Quotes
American
Actress
Sandra Bullock Quotes
American
Actress
Selena Gomez Quotes
American
Actress
Viola Davis Quotes
American
Actress