A Quote by Sophie Turner

I used to fancy Jonathan Rhys Meyers. I didn't tell him that when we worked together on 'Another Me.' — © Sophie Turner
I used to fancy Jonathan Rhys Meyers. I didn't tell him that when we worked together on 'Another Me.'
I used to fancy Jonathan Rhys Meyers. I didnt tell him that when we worked together on Another Me.
The Tudors”) “I walked away thinking, well, if I don't get the job, it doesn't matter - I've kissed Jonathan Rhys Meyers!
The idea of Jonathan Rhys Meyers as Dracula, all I could think of was, why haven't they done this with him before? It's such a genius idea. 'Dracula' has always been done as film, so it's been an hour and 40 minutes. What we're done is 10 hours of 'Dracula,' so you have a lot of freedom with all the different mythologies and nuances.
I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.
Freddie [Highmore] is great in the movie [August Rush]. It comes out this Fall and I play a young cellist, a prodigy, who is touring and doing concerts. She's very young and has a one-night fling with an Irish rocker, played Jonathan Rhys Meyers, who is also a really talented musician.
There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.
Pepperidge Farm bread. That's fancy bread. You can tell it's fancy because it's wrapped twice. You open it, and it still isn't open. That's why I don't buy it. I don't need another step between me and toast.
Jonathan Hill is an old friend of mine; I have worked with him for many years and know him to be a man of outstanding ability who has never sought a public profile.
I decided to go along with it. If he tried to give me the runaround, I would bolt. I didn't have time to waste on vague answers and evasive language. Matt and Rhys were captive, and Rhys couldn't even sit down.
He that makes use of another's fancy or necessity to sell ribbons or cloth dearer to him than to another man at the same time, cheats him.
I saw Jonathan after he faced the fear demon, you know. It showed itself to him as you. That told me all I needed to know. The greatest fear in Jonathan’s life is the love he feels for his sister.
Let me tell you something, I didn't become a lawyer because I like the law, the law sucks. It's boring, but it can also be used as a weapon. You want to bankrupt somebody? Cost him everything he's worked for? Make his wife leave him, even make his kids cry...yeah, we can do that.
I used to dream about Gorbachev before he lost power. I'd go into a panic because I was meeting him, and I had nothing to wear. I'd ask my brother what to do, and he'd tell me to wear my dressing gown. I'd tell him I can't - it's too horrible. He'd tell me to wear his as well. So I'd meet Gorbachev wearing two dressing gowns.
For years, I've been mistaken for Rhys Ifans. All the time. People come up and say, 'Notting Hill?' I nearly got beaten up once for not being Rhys.
My father always used to ask me what my aim in life is. I used to tell him I don't have any.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
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