A Quote by Soren Kierkegaard
And if something should be found, particularly in the first part of the dissertation, that one is generally not accustomed to come across in scholarly writings, the reader must forgive my jocundity, just as I, in order to lighten the burden, sometimes sing at my work.
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Only when you lift a burden, God will lift your burden. Divine paradox this! The man who staggers and falls because his burden is too great can lighten that burden by taking on the weight of another's burden. You get by giving, but your part of giving must be given first.
Sometimes you read something and it's just -- it doesn't invite a reader....Sometimes you read something and it's not saying, 'oh come in, come in have a seat. I'm going to tell you what happened.' Perhaps my writing comes off as conversational...and that takes effort.
Sometimes something intrigues me about particular sounds, how they work together, and I think "Okay, I've found something here; I'm going to take it somewhere." And sometimes just to find a name for that sound, whatever it is, ends up becoming a title of the piece or becoming part of the title.
In order to turn around and do something better, we must first escape the vicious circle of self-righteousness and denial. And that calls for the humility to say "I'm sorry. Please forgive me."
I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
Generally I'll keep 95% of what I sing on that first scratch vocal take. Sometimes that idea will ferment for a long time, and sometimes I"ll be close enough to my studio and have enough time (kind of rare these days) to go and work on the idea. Not every song is super easy though.
I worry about fast forgivers. They tend to forgive quickly in order to avoid their pain. Or they forgive fast in order to get an advantage over the people they forgive. And their instant forgiving only makes things worse... People who have been wronged badly and wounded deeply should give themselves time and space before they forgive... There is a right moment to forgive. We cannot predict it in advance; we can only get ourselves ready for it when it arrives... Don't do it quickly, but don't wait too long.
Eloquence may be found in conversations and in all kinds of writings; it is rarely found when looked for, and sometimes discovered where it is least expected.
If you share in a heart-felt sorrow, you can lighten the load of a friend. Sometimes facing the burden together can mend two broken hearts in the end.
There is a saying that to understand is to forgive, but that is an error, so Papa used to say. You must forgive in order to understand. Until you forgive, you defend yourself against the possibility of understanding. ... If you forgive, he would say, you may indeed still not understand, but you will be ready to understand, and that is the posture of grace.
Faint equivalents can sometimes be found ... . Or it can be rendered obliquely-an adolescent's mental image of his or her parents making love, which must be something on the order of crocodiles mating.
The essence of independence is to be able to do something for one’s self. Adults work to finish a task, but the child works in order to grow, and is working to create the adult, the person that is to be. Such experience is not just play... it is work he must do in order to grow up.
The fact that Russia has shown a willingness to disrupt elections and undermine institutions should come as no surprise. Just ask our allies across Europe, particularly in places like Georgia and Ukraine.
The thing that happens remarkably often is that the people who are writing a dissertation believe they need to speak to me in order to do their dissertation. They need to interview me.
Occasionally I'll come across something that's just annoying, but for the most part it's irrelevant to me.
When we look at a good deal of serious modern fiction, and particularly Southern fiction, we find this quality about it that is generally described, in a pejorative sense, as grotesque. Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader, unless it is grotesque, in which case it is going to be called realistic.... Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.
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