A Quote by Soseki Natsume

The artist, even when he imitates nature, always feels himself to be not a slave but a demigod. — © Soseki Natsume
The artist, even when he imitates nature, always feels himself to be not a slave but a demigod.
Whenever a man believes that he has the exact truth from God, there is in that man no spirit of compromise. He has not the modesty born of the imperfections of human nature; he has the arrogance of theological certainty and the tyranny born of ignorant assurance. Believing himself to be the slave of God, he imitates his master, and of all tyrants the worst is a slave in power.
The most mediocre of males feels himself a demigod as compared with women.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
Give the slave the least elevation of religious sentiment, and he is not slave: you are the slave: he not only in his humility feels his superiority, feels that much deplored condition of his to be a fading trifle, but he makes you feel it too. He is the master.
Nature has mysterious infinities and imaginative power. It is always varying the productions it offers to us. The artist himself is one of nature's means.
One who imitates what is bad always goes beyond his model; while one who imitates what is good always comes up short of it.
He who imitates what is evil always goes beyond the example that is set; on the contrary, he who imitates what is good always falls short.
Work is external to the worker. . . . It is not part of his nature; consequently he does not fulfill himself in his work but denies himself. . . . The worker therefore feels himself at home only during his leisure time, whereas at work he feels homeless.
A slave-holder cannot hold a slave without putting himself or his deputy in the cage for holding the slave.
Art imitates nature not in its effects as such, but in its causes, in its 'manner,' in its process, which are nothing but a participation in and a derivation of actual objects, of the Art of God himself.
The immature artist imitates. The mature artist steals.
Every artist's strictly illimitable country is himself. An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself - whoever himself may be - is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.
I think R. Kelly's range is so vast and broad that in order to stimulate himself creatively as an artist, he has to step so, so far outside the box, or else he feels like he's not challenging himself.
The fact that labour is external to the worker, i.e., it does not belong to his intrinsic nature; that in his work, therefore he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and his mind. The worker therefore only feels himself outside his work, and in his work feels outside himself.
I feel like life imitates art, or art imitates life. I always take on roles that I'm passionate about.
The immature artist imitates. Mature artists steal.
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