A Quote by Sowcar Janaki

Films were just a profession. The moment I step into the house the actor in me disappears. — © Sowcar Janaki
Films were just a profession. The moment I step into the house the actor in me disappears.
There was a year between school and getting going as an actor when I basically just watched films. Video shops were the new thing, and there was a good one round the corner and me and my brother just watched everything, from the horror to the European art-house.
Being an actor is a nomadic profession, and I just try to feel at home wherever I am at that moment.
At one point of time, most of my films were successful, so I could have launched a production house. But had I done that, I would not have grown as an actor.
For me acting is just a profession. As much passion I have for my profession, I always seperate profession from life.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
Just take one thing out and the whole palace, the whole edifice of the human mind collapses. Take effort out of it and desiring disappears, imagination disappears, past and future disappear, or take desire out and effort disappears and time disappears and ego disappears. Just take one thing out of the gestalt and the whole gestalt simply disappears; it cannot exist without certain things. Those are the very essentials of it - effort is one of the essentials. Hence all the great Masters of the world have taught about grace.
When I was growing up, my father never got his profession to the house. We didn't discuss films on the dining table.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
Whatever experimental film aromas cloaked my movies were because I'm a gleefully clumsy, primitive filmmaker. I really like traditional pleasingly narrative films, but I also just couldn't resist throwing in the disruptive. It seems to me that art-house film is at its glorious zenith right now, maybe it can even get better? There's just so many good films, you know Cemetery Of Splendour, Arabian Nights, Miguel Gomes, just so much great work coming out.
I've obviously always been aware of actor-oriented films, being an actor. Altman and Cassavetes were really strong. And then I realized their structures were quite fascinating, too.
The moment you start seeing life as non-serious, a playfulness, all the burden on your heart disappears. All the fear of death, of life, of love - everything disappears.
We were always told we were one step behind Deep Purple, one step behind Led Zeppelin, one step behind everybody. Our manager didn't want to let us know how popular we were. It's only after we did Ozzfest that people started telling me stuff. I thought they were taking the piss. People would come up to me and go, "Respect."
I will also fulfill my profession commitments as an actor as I would not let the actor in me die after joining politics.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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