A Quote by Sparky Anderson

They say the first World Series is the one you remember most. No, no no. I guarantee you don't remember that one because the fantasy world you always dreamed about is suddenly real.
That first world title has to be the most wonderful moment and to beat Bristow, the No 1 in the world, was the ultimate. There's not many matches I remember, but I do remember that one, remember playing really, really well. Bristow was so upset he wouldn't talk to me for a few weeks after I beat him.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
I don't remember my first trip, but I do remember when my mom took me to Disney World in Orlando. It wasn't the rides but Epcot Center that most fascinated me. It made me want to see those countries that are represented there for real.
I don't remember anything about '93. I remember going to some Copper World Classic races. I probably had to have been 4 or 5 around then. I probably mostly remember it because of my mom's pictures that she takes all the time.
I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!
When the idea comes, I often can't remember where it came from. I remember very little about writing the first series of Hitchhiker's. It's almost as if someone else wrote it.
You grow up dreaming about playing in the World Series since you're a little kid. I remember the days in the back yard with my parents playing whiffle ball, saying, 'Hey, it's Game 7 of the World Series, are you gonna win or are you gonna lose?'
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
I grew up loving artists like the Spice Girls and Britney Spears - artists who seemed to live this fantasy lifestyle, and I remember always wanting to join these fantasy people in that world.
I always found the extraordinary loss of life in the First World War very moving. I remember learning about it as a very young child, as an eight- or nine-year-old, asking my teachers what poppies were for. Every year the teachers would suddenly wear these red paper flowers in their lapels, and I would say 'What does that mean?'
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
I think that when you remember, remember, remember everything like that, you could go on until you remember what was there before you were in the world.
To be matter-of-fact about the world is to blunder into fantasy - and dull fantasy at that, as the real world is strange and wonderful.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
And then, into the fantasy, as into a dream, would come the thought: it's not like this anymore; the world has changed. Just the way, even at that time fully two years after my mother's death, I'd catch myself thinking about her as alive; and would suddenly remember, an admonitory finger of grief upon my breast, that she was gone.
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